추상화가 최철주｜현대추상미술평론 현대추상화가평론 현대미술추상작품평론 Contemporary Abstract Art Painter Criticism [6] Abstract contemporary art that designed modern art abstract painting [4] Abstract painter Louis Cho..
추상화가 최철주｜현대추상미술평론 현대추상화가평론 현대미술추상작품평론 [6] 현대미술가 및 현대개념추상화가의 개념추상 미술작품평론 디자인 프로세스 : 현대개념추상예술로서 시각예술이론을 통해 미적가치의 예술성을 검토하고 현대개념추상화가이자 비평가인 최철주는 그의「morning glory」 작품을 통해 종종 추상적인 욕망 개념과 언어적 의미 구조를 반영하여 지각과 미적 구조를 해석하고, 그 결과로 추상적 욕망의 언어적 의미와 동일한 실재 이미지의 추상화로 귀결된다. Contemporary Abstract Art Painter Criticism: Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire. [6] Abstract contemporary art that designed modern art abstract painting [4] Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: <Morning glory p36-9>
개념 추상화 미술가 작품 Louis, morning glory p36-6, a hand-painted picture on a computer, 2022 / 만화뉴스 만평을 개념 미술가 작품으로 재해석한 현대미술 추상화 개념만평
NewYork Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.
욕망 개념 추상화 미술가 작품 배경 이미지:Louis, morning glory p36-6, a hand-painted picture on a computer, 2022
욕망 개념 추상화 <morning glory>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 욕망 개념의 오브제다 즉 루이 최철주 <morning glory>의 개념미술은 최철주의 욕망 개념 추상미술이론에 귀속된 추상적 관념이다.
추상화가 루이 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다. 이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 사실적 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.
따라서 배반적 개념미술가로서 추상 화가 루이 최철주 <morning glory>는현대 회화를 카툰 만평으로 한 사실적 개념 추상화로 한 디자인 컨셉으로 제작하여서 이것을 욕망 개념 의미 구조의 형상으로 추상 디자인한다 즉 회화의 개념 추상 이미지를 기호화하여서 그 회화를 디자인한 추상화다. (욕망 개념 추상화 <morning glory>에 관한 최철주 추상미술이론)
욕망 개념 현대미술 회화 디자인: 의미 구조로서 형상 이미지를 기호화한 오브제 디자인 = Louis, morning glory p36-2, a hand-painted picture on a computer, 2022
비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 p36-2)는 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 욕망 이미지의 오브제를 보인다.
그 오브제는 욕망 의미의 수준으로 한 욕망 개념의 이미지로 지칭된 그림이다. 그 그림은 상상적 동일시하여서 욕망 의미를 실제화한 욕망 이미지(i)다. 그 욕망 이미지는 역사성과 함께 빗금친 욕망 개념 이미지(ID)에서 분열된 욕망의 주체(ID')는 추상에 도달한다. 그 추상은 비일관성을 은폐하는 욕망 이미지로서 순간적 응시로 기능하는 욕망 개념 이미지는 우리가 세계를 일관되고 역사성의 의미 있는 것으로 경험할 수 있도록 카툰 만평의 틀을 욕망 이미지로 제공하고 욕망 개념의 특정효과가 발생하는 선 존재한 공간을 욕망 이미지로 구성하는 것이다.
그 욕망 오브제 이미지는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(나팔꽃 p36-2)로서 타자의 욕망을 시간성에 감추어진 역사성의 실제 카툰 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제 이미지를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 그 공간의 자리를 전시 포스터 이미지로 가려지는 추상의 욕망 의미 즉 욕망 오브제를 말한다.
욕망 개념 현대미술 회화 디자인: 의미 구조로서 형상 이미지를 기호화한 오브제 디자인 = Louis, morning glory p36-9, a hand-painted picture on a computer
욕망 개념 미술로 한 포스터 <나팔꽃 p39-9>는 추상화로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다.
이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다.
그 존재는 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 전시 포스터의 욕망 개념 미술의 추상화 의미를 말한다.
그 추상화 의미의 현상적 자리를 전시 포스터로 대신한 욕망 개념 추상미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다. 이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.
그 의미는 타자의 욕망<Red Velvet Irene & Seulgi 4> 를 모방한 꽃을 상징하는 기호적 언어로 개념적으로 추상된 욕망 개념 이미지 <나팔꽃>으로 디자인된다.
여기서 욕망 개념 주체의 벡터(ID→D'(i)는 상징적 동일시로 욕망 기표 이미지(i)와 교차한다. 최철주 욕망 공식 <D(I...I')d=I(D...D'i)i> 은 욕망 개념의 이미지를 타자가 상징화될 수 없는 어떤 외상적인 불가능성인 추상 이미지가 욕망 이미지를 반복하여서 실재를 중심으로 사실적 이미지로 구조화된다는 욕망 개념을 담고있다
따라서 사실적 욕망 개념 이미지로서 추상된 <나팔꽃>에 타자의 욕망을 대리하는 형상을 디자인하여서 욕망 개념의 사실적 오브제가 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 사실적 욕망 이미지의 오브제가 추상된다.
이렇게 욕망 개념의 추상 미술로 추상된 오브제는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 개념적 조형성의 음영으로 사실적 오브제를 생성하고 의미로서 존재한다.
그 의미적 존재로서 오브제는 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제를 드러내어서 타자의 욕망의 자율적 선택으로 한 조형적 가치를 담고 있다.
그리고 회화적으로 <나팔꽃> 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 공간에 사실적 이미지로서 추상하여서 자리한다.
배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image.
(*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
욕망 개념 추상화 현대미술 작품: 욕망 개념의 오브제와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주의 욕망 개념 추상미술 추상화: Louis Choi Chul-joo, <Red Velvet Irene & Seulgi 4>, a hand-painted picture on a computer
욕망 개념의 실재는 사건의 실재와 은폐된 존재의 실재와는 다르다. 상징계로서 <Red Velvet Irene & Seulgi 4>에서 전이된 존재에서 분리된 드러나지 않는 진실을 은폐한 실재다. 드러나지 않는 은폐를 도출한 것처럼 <Red Velvet Irene & Seulgi 4>는 문화적 음악성을 실체화한 실재다.
이러한 공시적 영역의 실재는 사건에 은폐된 곳에서 사건의 주체가 출현한다.
마네가 사유에 의한 실재로서 주체의 존재를 드러내는 행위로서 환영적 비실재를 없애고 사유를 통한 음악성을 욕망 이미지로 그려낸다.
상징계에서의 <Red Velvet Irene & Seulgi 4>은 음악적 행위로 한 상징적 존재의 이미지다. 여기서의 존재는 욕망 개념의 초월적 기표(Signifiant)다.
타자의 욕망을 대신하는 은유적인 상징성의 존재를 보여줌으로서 그림을 보는 이에게 라캉적 상상계에서의 허상에 만족하지 않고 자신의 욕망을 음악적 행위를 통해서 타자를 통해 보여줌으로써 상징계에서 탈출을 시도한 실재다.
이렇게 <Red Velvet Irene & Seulgi 4>는 동시대의 실존적 이미지를 보임으로써 상징계에서 오브제의 은유적 주체를 보이는 이미지로 주채의 실체적 의미와 형상이 출현한다. 즉 보이는 은폐는 상징으로써 의미와 허상의 형상은 소거한다.
실재로서 <Red Velvet Irene & Seulgi 4>은 회화에서 또 다른 실재로서의 문화적 욕망을 상징하는 상징성을 드러낸다.
비실재 사실적 추상화로서 <Red Velvet Irene & Seulgi 4>에서 문자로 한 언어적 표현도 은유성을 띠지만 그것이 비재현적 이미지라고 가정할 때 실재는 상사적으로 실재를 재현한 가상적 이미지에서 존재한다.
라캉의 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 동일시하는 상상계에서부터 시작된다.
<Red Velvet Irene & Seulgi 4>에서 주체로서 타자의 욕망이 실재가 아닌 것을 인지하면서 욕망 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로 전이한다.
여기서 타자의 욕망이 상징적 실재가 분열을 통해 실재와의 만남이 <morning glory p36-9>에서 이루어진다.
그 실재로서 문화성의 음악적 행위 이미지<Red Velvet Irene & Seulgi 4>는 가역적 빛의 왜상적 음영으로 드러난 욕망 개념의 비실재로서 실재와의 어긋난 만남을 이루고 추상한다. / 글. 미술평론가 최철주 (추상 화가 & 문화디자인박사)
Louis Chuljoo Choi, abstract poster <a morning glory p36-6>, In New York (Flushing Town Hall).
Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic acrylic and composite materials on cloth
Louis Choi Chul-joo Abstract Painting morning glory Window Concept:
This is a reversible light outside the window that reveals the instantaneous shape in which one image moves away from another image in the object ɑ's deficient subject shape and passes through the other's subject, causing the structure of one shade to conceptualize the other's desire that alienates the subject's shape.
(ACN · 23. 9. 17:41 Desire image Interpretation of the concept of Choi Chul-joo's "morning glory window" according to the "Lacan's Four Direction of Interpretation")
It is an image reflected in the mirror from the missing subject shape as the morning glory abstraction spreads to the back of the object shaded with reversible light, and is shadowed by a thread painting drawn on a cloth where the "Choi Chul-joo morning glory window 2023-2 morning glory outside the window" mirrors the image of the morning glory abstraction in the other's desire space and reveals the momentary image passing through the other's subject outside the window.
<Choi chuljoo morning glory window 2023-2> is a modern abstraction in which the object of a desire-colored chicken drawn in the form of a closing cloth reflected on the back by hand, which means the reality of morning glory, is transformed into a shade with reversible light as a semantic structure of modern art painting.
In New York (Flushing Town Hall & Yeomyeong Hall), Louis Choi Chul-joo <morning glory> produced 100 abstract paintings in the form of posters and objects as abstract works of contemporary art related to the first and second solo exhibition "Choi Chul-joo morning glory" symbolizes this as a desire semantic structure as a painting design of shape, that is, an exhibition image of abstraction.
The object "Choi Chul-joo morning glory", which depicts the meaning of the shape seen in the semantic space created by a shadow structure with reversible light, represents the meaning of modern abstraction, that is, desire object, that is, hidden by the actual changed movement of the shape by structuring the image of the other's desire hidden in time in the shadow of reversible light.
The artistry that emerged from the object of desire here reveals the conceptual desire object as another being of the object by transforming the image of the object into a painting structure of meaning with a distorted flat image from the point of view of the desire of the other, and shows the meaning of the concept of artistic desire as creativity and autonomy of the desire of the other.
And a small piece as the other's desire hidden in the background of a painterly anthropomorphic chicken represents a real abstract space that is reversible through an image-based movement of desire that actually changes its shape. This refers to the concept of an abstract object, which forms an abstract space that can actually be reversible, and refers to the concept as an abstract form in an abstract landscape in which the reality of the shape is abstracted in the shade of reversible light.
Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X178cm, 151X179~177cm, acrylic and composite materials on cloth
Painting docent as desire conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트)
Shape image as a conceptual semantic structure: The object of desire designed as an object <morning glory window 2023-2> is a real conceptual art image of a real morning glory by linking it with a dark blue on the canvas of a non-real conceptual art image. This means the Choi chuljoo morning glory window 2023-2 transferred from the Choi chuloo morning glory window, and is a desire object manually drawn as an anamorphosis image with a reversible light.
The shape of the object of desire is an abstraction as a modern conceptual art work in which the desire of the other is superimposed in a reversible shade of light in "Choi chuljoo morning glory window 2023-2", which is the design concept of a contemporary art abstraction work, and this is symbolized and imaged.
In New York (Yeomyeong Hall Gym), abstract painter and image installation artist Louis Choi Chul-joo produced a poster with a design concept as an abstract work of contemporary art related to the individual exhibition of "morning glory", and installed a desire image with a fabric structure of a modern abstraction symbolizing an exhibition poster image of a painting as a desire meaning structure.
Another exhibition venue is Yeomyeong Hall Gym, which has a basketball stand in New York. On the spot, he exhibited "morning glory" and image installation art with several chairs as a realistic reality against the background of walls, entrances and basketball stands.
<morning glory outside the window 2023-2> is a desire object drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted realistic plane image that means the reality of a morning glory.
An object (Louis Choi Chul-joo, morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.
The object, which depicts the meaning of the desire shape seen in the meaning space created by reversible light (morning glory outside the window), refers to an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized, and then setting the shape with an exhibition poster and concealing it by the actual changed movement on the spot.
Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic and composite materials on cloth
Revealing the desire subject reveals the image of desire as a missing subject as a realistic object. In the abstract painting "morning glory", this is a subject that represents a lack reconstructed from a shape with the desire of the other as the subject. "morning glory window" constitutes a frame that reveals an image of a subject symbolizing a shady lack of the subject and creates a desire image object in the frame in a reversible shade of light to choose reality as a subject away from non-existence.
This is the real structure of desire that image in reality. The structure has several distorted planar cross-sections in a three-dimensional form, and abstracts a pictorial image as a conceptual art as a multi-faceted image of a semantic structure as an object in one concept. (ACN · June 22, 2023 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Concept Art Theory)
Repeatedly, "morning glory outside the window 2023-2" intersects an object of desire drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted plane image that means the reality of a morning glory.
As the shape of the cloth becomes a reality, "Choi Chul-joo morning glory" as a modern abstraction is a return to painting as a concept of early conceptual art. In other words, it is a contemporary conceptual art in which a shadow structure with reversible light that reveals the instantaneous shape passing through "morning glory" as a subject creates an abstraction of the concept of the desire of others as a realistic work. This is a conceptual art belonging to Choi Chul-joo's desire abstract art theory, which is different from art that shows a process with real art, and is a structure of desire that results in reality.
The structure has several distorted plane cross-sections in a three-dimensional form, and abstracts a pictorial image with conceptual art as an object in one concept into a multi-faceted image of a semantic structure, showing several three-dimensional cross-sections at the intersection of the crooked point of view without marking the object as an elevation
The abstract area of painting in which the desire specific effect occurs as a meaning of "morning glory outside the window 2023-2" as a conceptual art is an image that can momentarily see the desire of others who function visually in the landscape.
This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is a realistic form and abstracts the realistic form of non-realism with the same structure of meaning as a conceptual semantic structure. And because abstract images drawn as realistic desire images with the same meaning are abstractions of existing concepts drawn as realistic desire images with similar colors and sizes.
The existence defines an abstract space as a real reversible realistic shape and refers to the meaning of abstraction as an exhibition poster in which the shape is hidden by actual changed movements in the shade of reversible light.
It distinguishes the place of abstraction of the abstraction of the desire conceptual art instead of the phenomenal place of the abstract meaning as an exhibition poster.
By conceiving the meaning of the face that interprets the shape, the shape abstracts the concept with a color and size similar to the meaning of a realistic structure to say another meaning. And in the imaginary world, the abstract meaning of conceptual art identifies with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and the inner subject realistically forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the designed desire meaning of an abstract shape in which the realistic shape changed by the actual changed movement of the shape is covered in shades.
In the abstract "Choi Chul-joo morning glory", a shape representing the desire of the other is designed and reproduced as an abstract object as an object of desire (a morning glory outside the window 2023-2). In the perspective and scheme, several objects as different instantaneous gaze are abstracted from the other's desire point of view revealed in the unconscious mind by creating a shaded place with a reversible light in which the perspective visual system of perspective is concealed.
This abstract object exists as an exhibition poster meaning that forms a distorted flat image expressed through a desire revealed in the other's suppressed unconsciousness to acquire artistry out of generality and uses the other's desire as a existence. As that semantic being, the object reveals the object as another being and contains the formative value of the autonomous choice of the desire of the other.
And it creates a real abstract space that is reversible through thought movements that make up an image that transforms the desire of the other hidden in the background painterly. This is a place where the other's desire is abstracted into a realistic structure in a space where the object can be actually reversed as the meaning of the existence of an abstract object.
The virtuality of abstract exhibition posters is structured as a conceptual review, similar to a gaze image that virtually reproduces a distorted plane image that cannot be expressed on the same plane or as representing a real place with cubism in connection with that image.
The composition of the other's desire is clearly concealed without being revealed as an object reflected in the mirror, and the reality of the viewer is absent by seeing another object exposed in the mirror as reversible light.
However, the person who paints the picture replaces the other. It is a place revealed by staring at the image of desire. It transitions to the location of the subject that appeared at the vanishing point in the entire virtual image, that is, the abstract space. It is the reality as a desire object, that is, a being, that the subject of the subject position is revealed through gaze from the other's desire point of view.
The structural physics of reality has several cross-sections in a three-dimensional form, and in conceptual painting, one cross-section and two sides are used as objects in one concept to capture the multifaceted desire conceptuality of a morphological structure.
■ In "Choi Chul-joo's morning glory window", Choi Cheol-joo's theory of desire abstract art is repeated in abstraction to formalize the art theory of desire to convert images into meaning. This has the meaning of expressing the desire of others in painting by repeatedly applying the imagination system and the desire formula, and as a result of applying the desire art theory to painting, it gains the value of approaching the desire of others to the beauty of form.
■ "Choi Chul-joo's morning glory" is not the desire of the theme, but the spatial background of the other's desires. It is the same as a space of life that is consistent like the sky. It connects with Cartoon Review and Pop Art, which represent the space of life, but does not criticize and judge, but reproduces reality as news with photos of events. And the effect of conceptualizing the reality of the symbol object as the desire of others abstracts the realistic concept by structuring it in the shade of reversible light.
Conceptual artist Choi Chul-joo's Desireful Concept Abstraction Design is a return to painting as a realistic concept. In other words, it is a conceptual art design that is created as a painting work. Therefore, his contemporary conceptual art abstraction criticizes phenomenal images like current affairs commentary, but it refers to design value with painting.
In art, ready-made ready-made products cannot replace painterliness, and they refer to concepts created like Marcel Duchamp Duchamp, and messages according to philosophy that his sympathizer Joseph Kosuth Joseph Kosus said.
On the other hand, Choi Chul-joo's conceptual art abstrac design, which is based on the concept of the desire of the infant imagination in desire art theory, contains a message in the realistic conceptual art abstraction image with current events. It sums up the life value of critical cartoon and abstract painting with a picture of the scene of the event. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines life values through critical perspective and desire conceptual art abstraction design with a full review of the scene photo of the event.
Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)
Louis, Choi chuljoo, morning glory outside the window p36-6, a hand-painted picture on a computer, 2022
Desireful modern abstraction, which replaces phenomenal positions with posters, can distinguish the positions of the figures and envisions the meaning behind interpreting the figures. The shape is abstract in color and size similar to the meaning of a conceptual structure to say another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified as the same subject, and the subject internally forms a modified abstract meaning.
This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.
Its meaning is designed as "morning glory outside the window", abstracted in symbolic language that symbolizes flowers that imitate the desires of others.
In the abstraction <Choi Chul-joo morning glory>, a figure representing the desire of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition Poster morning glory p36-6). In the perspective diagram, the object is abstracted as a different momentary gaze from the other's desire point of view revealed in the unconscious mind by creating a shaded place with reversible light in which the visual system is concealed.
Desire objects abstracted as conceptual art are transferred to "morning glory (outside the) window", forming a distorted flat image expressed through desire revealed in the oppressed unconsciousness of others to acquire artistry outside of generality as a design, creating objects in the shadow of formability with the desire of others as beings, and abstraction with a semantic existence structure.
The artistry that emerged from the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a distorted flat image from the other's desire point of view.
And the small sculpture as the other's desire hidden in the background of the morning glory painterly shows a real abstract space that is reversible through the thought movement of the desire image that actually changes the shape. This is positioned as an abstract space where the other's desire can be actually reversed in the meaning of the existence of an abstract object.
On the spot, it goes beyond the dimension of the non-realistic visual image of painting as a multifaceted object that matches the Picasso image. Therefore, the desire as a field of gaze, regardless of whether it is flat or solid, is abstracted into an image created by the desire of others in the art theory system.
This is an image transferred from a real subject to a new image and concept. Since its image is virtual, it is perceived as different from the real image through comparison with the real image. At this time, it makes us realize that the virtual image is an subject as reality, that is, an object as reality seen as a desire gaze separated from the subject of "morning glory window". /Writing. Art critic Choi Chul-joo (Abstract Painter & Doctor of Cultural Design)
