Art Review-Reading the New Works: Choi Chul-joo Art Review: Work posted on Facebook: Kang Myo-soo's "New Sehando" on Facebook
강묘수, 195x170cm 먹 acylic on cloth.2020 ©ADAGP.
The ink lines overlap repeatedly to mask the decisive images of Sehan and collect the light from the outside into the light from the outside is collected inside.
In new sehando, pine trees overlap with vertical lines like small pillars, showing the effect of shading and obscuring them.
It is distinguished from the new sehando by giving it the sensitivity of the ink line to shading, and has an abnormal effect on preventing the black ink line from repeating.
Kang Myo-soo's "new sehando" sweeps away Se-hando's light and removes pixels from the image's surface.
In this way, she makes sehan by indian ink to induce 'new sehando' as a result of shading the light of the cause.
The small gap is combined with the shape of Sehan with a black ink, including the situation of Sehan in the real heart, who acknowledges the actuality objectified by the time when the concept of Sehan is subordinate to the gap.
She repeats the process of directly obtaining the concept of real-world aesthetic structures that are subordinate to the se-hando. This is a "new sehando" shading of reality that embodies Sehan's cross section with black ink.
It is a cross section of the abstraction that the light and shade of the missing light cannot overlap as the shape of Sehan is shaded with black ink.
Just like the black ink of a new black ink line, which has been abstracted, the scenery prevents the stimulation of time and space with conceptualized light.
She prevents the studied sociality by abstracting from the back of the landscape. In addition, it excludes traces of the past time-adjusted ink line and the landscape of the present overlapping colors, and moves the meaning of Sehan into the painting.
It also features symbolic ideas abstracted from the meaning of Sehan in the color of hidden shapes.
She interprets the impression of being black ink and interacting in a series of black spaces as a result of thinking
This is the difference image of Se-han, which has changed the shape of the world that ignores Se-han's situation in his impression.
In a landscape where sociality is distorted, bright and dark parts are removed and ideological meanings are drawn to show aesthetic values.
Kang Myo-soo's paintings turn away from the object's shap and combine the colors of light with time.
As a sign of time, it overwhelms Sehan's spirits with the contrast of time and the color of light at the end of the screen.
The color of light, like white lines and lights that stop in time, sculptures denaturation time with thread painting.
It is a thread-like structure that unlocks the light that is being combined to match the color of the light to time.
She overlaps objects with meaningful double landscapes in black superimposed on the line ink, shows fine cracks on monotonous surfaces without any integration, and leaves fragmented spaces in the gaps. Then, draw a line of ink repeatedly over the meaning of the current Sehan and the gap between them.
In this way, she says that Sehan's platform, which appears to be a gap on the surface, is meaningless, and that the changed light of the world is meaningless.
And the colors in the shape where the dual meaning structure has disappeared are summed up to abstract the new se-hando in which the black is visible.
Writing. Art critic Choi Chul-joo (Doctor of design)