Art Review: Review of Koren Contemporary Artist Louis Choi Chul-joo's Art Works [8] Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction exhibition Thread paintihg 'Morning Glory' Aaction painting, 20.-22. Dec. 2021 Gwangan Gallery in Busan.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
Chul-joo Choi’s thread painting: morning glory 2022-c-back, 135X156cm, acrylic and composite materials on cloth, 2022
Like Cezanne's landscape painting, the color of light reflected in a concise form in which the background, sky light, and color coincide is an imitation of the form of pictorial sky light with the entire space as a space and the color of sky light.
<morning glory 2022-c-back> is different from Cezanne's painting. It is a picture that harmoniously expresses the imitative shape of the non-real material by dividing the color of the light staring at the sky and the color reflected on the object into the shade of reversible light.
The <morning glory 2022-c-back> is drawn by creating an inverted image of the left and right by constructing a shape with an object visible like a lacan style image on a material such as a cloth. So painting is a two-sided painting that doesn't distinguish the front from the back.
Here, when the image on the back is converted to the front, a new picture appears. This is a thread painting that shows the shading of the object ɑ with reversible light that rejects the center of Simulacre(幻影)'s image, which omits the volume of the chicken and replaces the reality that rejects the perspective description.
<morning glory 2022-c-back>, the back of <morning glory 2022-c>, is a painting that has actually been converted into a system of signs on a semantic representation. The painting reduces the planar two-dimensional nature of <morning glory 2022-c> to the essence of meaning. This is a dual object that simultaneously shows livestock in everyday life and a family in a symbolic sense through chickens and chicks. The shape of the picture emerges as an aesthetic meaning that depicts the concept in the visual system in thread painting in which the image is installed.
This is a pictorial act, and perspectively defines the object as a limited area, distorts the actual space with reversible light shades, and draws it on the canvas to produce a meaning that actualizes the back of thread painting.
Louis Chul-joo Choi, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021
The object to which Lacan's art theory is applied is Louis Chul-joo Choi's morning glory. The object's real is hidden in the margins of the non-real space, depending on the time.
In this way, the reality of the morning glory as a lacan's object becomes the blank space of the non-real space according to the change in time. The trumpet flowers painted there match the image of the light of the space as the target, and the target is set according to the inevitability of the symmetrical unreal space reflected in the mirror, equating the symmetrical real space with the non-real place. This is the space of the image tailored to the object. It is a space of fabric that repeatedly connects one gap and blank, and one picture structure overlaps the color drawn on the fabric with several blanks, square threads.
The image depends on the color and shape determined by the place of the object.
Therefore, the meaning of the image as an object in <morning glory-2021-l-back> made of thread painting is the color of its meaning, and the reality of the customs universality facing the object is decorated with the color of light.
The dark space in contrast to this decorated light is a shadow created by staying in one place. The object that exists here has a cross-sectional shape that has changed its shape due to the appearance of a staring color and familiarity with customs.
The meaning of <morning glory-2021-l-back> is an aesthetic structure in which the shape of a realized object stopped in a daily place is shaped into the color of light, and the color of the margin created by reflection of light that is difficult to distinguish is repeatedly drawn on a fabric-like material.
Here, when enlightened by custom or in a place, painting unravels the value of reality as a reversible shade of light and the desire of the others in the shape of color.
However, since the material hidden in the margins of the objects in the painting cannot reproduce its timeliness, it is tailored to the color suitable for the objects of the period.
And <morning glory-2021-l-back> which sets the outline of the form on a cloth-like thread as lighting color with the desire of the other in contrast to his own color, captures the inevitability of the past space and the familiarity of the custom.
Louis Chul-joo Choi, morning glory 2021-i-back, 113X168cm, acrylic and composite materials on cloth, 2021
"morning glory 2021-i-back" is thread painting in the form of a teaching fabric in which the back is illuminated by manually drawing an image of a misarranged image made from an anamorphosis image of a morning glory.
In other words, it is a shape in which the position of non-realistic painting with reflected light is expanded to the anamorphosis image in a shape of a cloth shaded in a thread and a small hole in the fabric.
The meaning of the shape is decorated with the color of the spatial light of the fabric entangled in a grid of the real of the customary universality facing the morning glory.
The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place.
Here, as a real object, color is a visual image familiar with the custom of sight.
The meaning is a symbolic language that symbolizes the imitated flower.
Here, the morning glory is a sculpture of Lacan's object ɑ, the meaning of hidden aesthetic structure, as a symbol of space rather than reality by the meaning of Lacan.
Realization triggered by naturalism is a computer-made virtual image that is easy to create, duplicate, and convert, creating an unrealistic image without an original.
This is a computer technology that is not related to works of art, so it is different from works of art using the other's desire perspective as a medium.
However, computer-mediated media art makes other virtual images into real images, but also has artistry as a replica of the original virtual image.
Therefore, the way to effectively promote works of art is to use media art, and the technical expression of media art is also artistic.
This is an example of expressing the medium of art as a media art with contemporary media technology.
The difference between art and non-art is distinguished according to the existence of object ɑ as a real formed from the perspective of the desire of the other in a hypothetical shape as a real thing and a virtual shape as a non-existence.
Therefore, it is difficult to reveal the object ɑ in a virtual shape as a non-existence without the original. The condition of a work of art is that the meaning of the hidden aesthetic structure that exists as the original is an object ɑ.
A realistic picture forms a formative structure, but when it is the same form that does not distinguish between the original and the reproduction, it is not a meaningful composition.
This is because its formability can form an image or reform it into the same form through a realistic structure.
Therefore, the anamorphosis image of the desire of the other person who is difficult to replicate is the meaning object ɑ of the concealed aesthetic structure as an existence.
Here, the anamorphosis image is an objectɑ as another real image separated from the real image, although it is not real as an image of the whole.
An image formed as a virtual object by reproducing an object in a painting is a virtual image that conceals reality.
The virtual image is viewed as a virtual image by being recognized as a plane.
Here, by revealing the object ɑ as a being through the Lacan art theory system, the virtual image becomes real.
Lacan's Object ɑ is hidden in the geometric schematic of perspective that reproduces objects and is momentarily revealed by the desires revealed in the unconscious.
The object ɑ form an anamorphosis image expressed through the desire revealed in the repressed unconsciousness of others with a design to obtain artistry beyond generality, and create the real of the object ɑ to reveal artistry.
The artistry here reveals the object ɑ as another being of the object by transforming the image of the object into an anamorphosis image from the perspective of the other's desire.
And the meaning object ɑ, which has become a concealed aesthetic structure as an existence, acquires artistic meaning with creativity and autonomy.
<morning glory 2021-i-back> depicts an image created by a metamorphic image of a morning glory, and the form of a cloth-shaped painting consisting of a grid pattern with a back image reflected is an image that depicts the desire of the others as a reversible shade of light.
In other words, it is a shape in which the position of non-real painting with reflected light is expanded to an anamorphosis image of a grid hole in which the back is illuminated is thread painting. The meaning of the form is another person's desire decorated with the color of spatial light with thread painting of the real of universality in the customs facing the morning glory. The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place. Here, as a real object being, the color is an image on one side familiar with the custom seen as a gaze. The meaning is a symbolic language that symbolizes the imitated flower. The flower image is a sculpture of the hidden aesthetic structure meaning object ɑ a symbolized being in non-real space as a result of the lacan's meaning.
Object ɑ is an object revealed in Lacan's art theory as a 'gazing' from the perspective of desire and rational thinking from a perspective.
Therefore, the object ɑ as a gaze was revealed as a dot of light in the eyes of the other as the subject.
This is an image that overlaps with the perspective visual system but is momentarily revealed from a desire perspective in an oppressed unconsciousness.
The eyes on the picture see an object drawn on the canvas, but the eyes is like a subject staring at it.
The gaze determines what is seen and what is not seen in a small hole on the screen, such as a cloth, in space, the reflected light determines the image that is shifted according to the coincidence or inconsistency with the gaze.
Therefore, Object ɑ means a concealed aesthetic structure as an entity revealed in the lustful gaze system, not a non-real image in the perspective visual system.
Louis Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021
The emergence of linguistic meanings unconsciously in reversible temporality creates an image of the other's inconsistent desire as the place of <morning glory 2021-e-back> and develops it in a consistent sense.
This shows the meaning of Lacan's unconscious language, which repeatedly indicates that there is no unstable element, and draws an inconsistent image of a "morning glory" representing an incomplete phenomenon representing the unconscious language, like the desire shown by the other's conscious movement.
The structuring of "morning glory" as thread painting is an object that implicitly relies on the existence of a structure, that is, the temporality of a momentary coincidence, at a predetermined object.
The image of the object is structured as a shape of the thread, and the image drawn on the connected fabric is expanded into the shade of light to expand the planar shape of the morning glory in the fabric.
Therefore, the structuring of thread painting is the place of morning glory that depend on the existence of an implicit structure in the designated place of the morning glory, that is, the coincidence of momentary temporality.
The position creates an image of a morning glory in the sky and overlaps the image of the overlapping fabric to expand into a reversible shade of light. And the image describes the atmosphere that has changed to flat morning glory and temporality.
By illuminating the position in several directions, the existing shape of the past time is returned to the unconscious shape, and the images reversible to the real shape cannot be overlapped according to one time, but are overlapped in an integrated meaning.
However, the shape does not appear to be meaningful, and the image background is settled in several shades that are momentarily reversible.
This is a different image in which the position of temporality, that is, the image of the sky, appears to be a stimulus of light set in time at one moment of time, just as clouds, rain, and eyes appear.
The image is the place of infinite and continuous existence that light has achieved over time.
The momentary shape in which abstract phenomena coexist as images with form and meaning is a reversible visual structure. When an painter draws, it is the temporal logic of the image that obtains semantic recognition of the image.
Therefore, the structure of the visual reversible reaction is a momentary image according to the visual reversible reaction in the shape of a morning glory, and a misaligned image in which the morning glory is temporarily obscured by shadow or light or coexists in its original position is the meaning of a momentary image.
The image is a view of another person's desire on a cloth at the moment when the shadowy shape of everyday life intersects the morning glory of the past time.
The structure of the branches and leaves of the trumpet flower shows the meaning in harmony with the trumpet flower that matches the appropriate shade corresponding to the light. It's meaning shows the positional structure of the morning glory exposed to bright light in a symbolic shape according to the shadow light.
Therefore, a morning glory painting is an image method that reveals the morning glory that unconsciously exists in the place of the morning glory. The more you repeat the shading image of the reversible light, the more abstract the morning glory image becomes.
In other words, the more reversible light is repeated over time, the less the area of light is expressed by overlapping the shade of the staring morning glory.
The meaning of the morning glory, which repeatedly combines pieces of distorted morning glory image, represents a symbolic shadow in which the other person's desire is specified.
Here, meaning is a language that symbolizes the conceptual image of a morning glory and a flower that mimics an object that always exists.
Therefore, the morphological language created by the shading of reversible light called 'morning glory' adorns the reality of the customary universality that objects face with the color of reversible light.
In contrast to the structure decorated with reversible light, the dark space is the desire shadow of the others person created while staying in one place.
Louis Chul-joo_Choi, morning glory 2021-h-back, 131X167cm, acrylic and composite materials on cloth, 2021
In "morning glory 2021-h-back" actual morning glory, cats, fish colors, and shadows coincide with conventional images. The "morning glory 2021-h-back" is a word that symbolizes the other person's desire by imitating the other person's desire hidden on the back of "morning glory 2021-h" where the cat's movement has stopped.
As that "morning glory 2021-h-back", the cats image is a sculpture of meaning symbolized in non-real space as a lacan's word of meaning generated by visual reversible reaction in its place.
This is because the color of the shade caused by reversible light on the overlapping fabric determines the position of the cat and morning glory, and over time, the distorted desires of the other overlap and develop into an image of fabric.
This is a visible phenomenon, and the morning glory produced by the others desire appears in reality that does not match reversible light, and the shape of the morning glory separated from the desire overlaps with the intersecting thread to form a space in front of the reality. / Writing. Art critic Louis Chul-joo Choi (Modern Painter & Doctor of Cultural Design)
Art Review: Review of Koren Contemporary Artist Louis Choi Chul-joo's Art Works [8] Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction exhibition Thread Painting 'Morning Glory' Aaction painting, 20.-22. Dec. 2021 Gwangan Gallery in Busan.
