추상화가 최철주｜현대추상미술평론 현대추상화가평론 현대미술추작품평론 Contemporary Abstract Art Painter Criticism [1] : Abstract contemporary art that designed modern art abstract painting [20] Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [38] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review: Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [18] Contemporary Artwork Critic Louis Choi's art criticism: Art Criticism Pop Art Abstraction: Korean Abstract Painting <Morning Glory 2022-d-bling bling> Cartoonist Painting Design Criticism & Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now
하루하루 블링블링 bling bling
만화뉴스 KPS로 게재된 최철주 K-Pop Song newsmanwha [1] “하루하루 블링블링”은 욕망 개념의 오브제로서의 실재를 출현하는 원근법적 시각체계의 비실재다.
근대 회화는 예술로서 평면적 이미지를 회화의 소재나 기표적 이미지다. 그것은 불가능한 이미지를 콜라주처럼 시간성에서 분리한 이미지를 중첩한다.
콜라주 기법은 사진적 이미지를 콜라주로 시각화한 것과 일치한다. 이것은 라캉의 오브제ɑ로서의 왜상적 이미지와도 무관하지 않다. 라캉의 오브제ɑ는 회화의 비실재적 시각 이미지의 차원을 넘어선다.
<Kim Yon-ja's bling bling 8>의 시각체계가 평면이든 입체와는 무관하다. 즉 응시영역으로 한 라캉 이론체계에서 타자의 욕망으로 생성된 이미지이기 때문이다.
Louis Choi Chul-joo, Kim Yon-ja's bling bling 8, a hand-painted picture on a computer
피카소 그림의 이미지처럼 왜상적 이미지는 오브제가 응시로써 보이는 이미지다.
이것은 욕망 개념 오브제의 상징적 형상에서의 실재인 왜상적 이미지와 동일하다. 그것은 옆면과 앞면을 동시에 보여주면서 오브제의 실재를 명확하게 한다. <Kim Yon-ja's bling bling 8>에서 가수 김연자가 마이크를 든 손과 머리를 측면을 흔드는 손이 시간의 과정과 그것이 존재하는 공간을 동일시하여서 형성한다.
이것은 <Kim Yon-ja's bling bling 8>에서 김연자가 노래화는 과정에서 드러난 형태의 왜상적 이미지는 시간의 순간적 간격의 시점에서 구성된 것으로써 시간성과 존재성을 갖는다.
시간성에서 집적된 이미지를 콜라주하여서 원근법적 밀도와 하나의 광원적 시점에서 형성되는 양감은 존재하지 않는다. 여기서 김연자의 머리 좌우의 두 손과 마이크 든 손이 각각의 부분적 이미지들이 동일한 시간에 위쪽으로 방사하는 손의 에너지를 보인다.
춤추는 회화에서 시작한 가상적 이미지는 실재에서 벗어난 새로운 개념의 말풍선(블링블링) 도입을 통해 비실재에서 분리된 또 다른 실재로서의 욕망적 사유를 출현한다.
이렇게 욕망적 사유를 통한 욕망 개념의 현대미술 관점에서 응시로 드러나는 이미지가 욕망 오브제다. 이것은 대상이 주체로서의 타자의 눈에 빛의 점으로 드러난 것이다. 이것은 원근법적 시각체계와 중첩되지만 억압된 무의식에서 욕망적 관점에서 순간적으로 드러난 기표적 이미지이다. 따라서 욕망 오브제는 원근법적 시각체계에서의 비실재적 이미지가 아닌 욕망적 응시체계에서 드러난 실재다.
이러한 욕망 개념으로의 응시는 그림을 보는 눈은 캔버스에 그려진 오브제를 보지만 오브제는 눈의 시선을 받는다. 응시는 보이는 것과 보이지 않는 것을 공간에서 시선과의 타자의 욕망이 일치나 불일치에 따라 실재가 결정된다. / 글. 현대미술평론가 최철주 (문화디자인박사)
New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.
New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.
As an abstraction of the concept of pop art, "morning glory" refers to the reality of morning glory as a concept of desire, and is an image object of desire reflected on the back by drawing an image made in a practical form. Therefore, it is an unrealistic abstraction of the concept of desire with realistic formative traces and reversible shades of light on the subject of the desire of others.
In addition, abstract painter Louis Choi Chul-joo "morning glory" produces design concepts based on the conceptual abstraction of contemporary art and designs them in the form of a semantic structure of desire. In other words, it is a contemporary art conceptual art abstraction that realistically symbolizes the abstract image of painting.
Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
As a conceptual semantic structure, the shape image is an object of desire <morning glory 2022-d-bling bling> that designs the image as an object of the subject. The object is a real conceptual art image of morning glory 2020 p26-01 as a real desire object by repeating the drawing of the non-real conceptual art image <morning glory 2020 p26-01> in a reversible shade of light on the canvas. This means the morning glory 2022-d-bling bling transferred from Kim Yon-ja's bling bling 3 and is an object of desire drawn from the realistic image of non-real life as reversible light with an image of a structure that is out of shape.
The object's shape is an abstraction that represents the place of reality as a modern conceptual art work that repeats drawing by overlapping the shades of reversible light with the "morning glory" as a design concept of a modern art abstraction work, which has been converted into a desired semantic structure.
Louis Chul-joo Choi, morning glory 2022 p77-6, a hand-painted picture on a computer
In the shape of the subject in which the conceptual word (moi) as a symbolic image is drawn, the subject of the other realizes abstraction by indicating the place where the shape is revealed. And in that abstraction, the image of a conceptual word in a place represents the place, that is, reality.
The shape that instantly reveals the subject of the other in the shape of the subject in which the conceptual word (moi) as an image of the imagination world is drawn provides the cause of the shape that clarifies the position of the image and conceptualizes the desire of one other in the shade of reversible light.
Louis Choi chul joo, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
Modern conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is a return to painting as a concept of early conceptual art.
Painting here is a realistic conceptual art that displays a place of reality with a poster that creates abstract paintings representing a place of reality.
Therefore, "morning glory 2022-d bling bling" criticizes his contemporary conceptual art as a phenomenal image like cartoon review, but it refers to the semantic value of the non-realistic image "morning glory 2020 p26-01" as a painter. It then transfers the non-realistic image of Kim Yon-ja's bling bling 3 to the non-realistic abstraction of "morning glory".
This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines critical perspective with the life value of desire images with a full review of the scene photos of events and performances. Here, the desire image refers to the painterly nature that can instantly perceive the desire of the other rather than the arbitrary philosophy. (ACN · April 20, 2022 / The desire of the other as an infant <morning glory> New York Exhibition New York Exhibition docent 1).
Therefore, in rational painting, the background desire of the morning glory shape is different from the objective reality and the representational conceptual art of objects so that the distorted flat background according to temporality can be experienced with the desire of others. This is because the object exists in the place of reality separated from reality transferred from the symbolic world.
Louis Choi Chul-joo, morning glory p77-10-bling bling, a hand-painted picture on a computer, 20220308~20220310 Yeomyeong Hall, New York.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p77-7-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Louis Choi Chul-joo, Poster: morning glory p77-7, a hand-painted picture on a computer
As a poster for the 2022 New York exhibition <morning glory p77-7>, the visual system is concealed with a shadow image that reproduces an abstract representation image object, but it is an abstract object that shows the non-real shape revealed in the reversible light shade of a desire point of view revealed in the unconscious as a momentary gaze.
The object hidden in abstraction forms a dwarf image expressed through the desire to acquire artistry out of generality as a desire design and creates an object that creates the other's desire as a being, revealing the conceptual artistry of non-realistic abstraction with the momentary desire image of the other's desire as a semantic structure.
The abstract meaning of conceptual art as a modern art poster abstraction work <morning glory p77-7> is the object of change in customs, and the painting of morning glory as an abstraction is another cross-sectional image of a cultural space that appears to be an object, revealing a infant's existence in which a chick hidden in the shade of morning glory is mistaken for a chicken.
This is an object drawn as a small piece that is not visible in abstract space (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction), hiding the desire of others in the background of the morning glory, and in reality, objects are overlapped in the shade of the background of "Napal Flower".
Here, the object hidden in the background of "Napal Flower" is a small piece as the desire of the other. Abstracts the real space that is reversible through the thought movement of the image that the shape of the sculpture actually changes.
Assuming that the space is a non-complete reproducible image formed in the shadow of reversible light, reality exists in space as an abstract and virtual image that actually reproduces reality.
Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer
Abstract image design is a conceptual semantic structure, which is an object of desire to design an image as an object. An object refers to the reality of a morning glory by designing a distorted flat image as an object of desire drawn on a cloth and reflecting it on the back.
The shape of the object is an abstract work of contemporary art related to Louis Choi Chul-joo's 2022 New York "morning glory" exhibition (Flushing Town Hall & Yeomyeong Hall), and images related to 100 posters produced with design concepts were designed.
The exhibition poster image of the painting was symbolized as a semantic structure of desire, drawn repeatedly, and abstracted as a realistic conceptual art. Abstraction abstracts the meaning of desire because the more the difference in shape is distinguished, the more the shape is understood in one direction. It is a realistic abstraction with similar colors and sizes as a symbolic structure when the shape refers to the same meaning. In other words, an abstraction in which a realistic form with the same semantic structure as a realistic form is a conceptual semantic structure.
Louis Choi Chul-joo, morning glory p77-10, a hand-painted picture on a computer
The realistic abstract object (Louis Choi Chul-joo 2022 New York Exhibition Abstraction morning glory), which depicts the meaning of the shape seen in the meaning space created by reversible light in the shape of non-real reality, means an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction that is hidden by the actual changed movement of the shape, the image in the mirror, shows an abstract image object in a virtual space that reveals the place of the unconscious desire of others as a virtual non-real image.
Conceptual artist Choi Chul-joo's abstract design, which abstracts the structure of desire, is a return to painting as a concept of early conceptual art. In other words, it is a realistic conceptual art design created by painting. Therefore, his contemporary conceptual art criticizes the phenomenal image of events and performances, like Sisa Manpyong, but speaks and abstracts design values as a realistic structure of desire with painterliness.
This is a realistic conceptual art that is treacherous to conceptual art that cannot replace painting, and it rejects the philosophical message of Joseph Kosuth, a concept born like Marcel Duchamp.
On the other hand, Choi Chul-joo's conceptual art abstraction design, which is based on the concept of the imaginary world, contains a message in the desire conceptual art abstraction image with current events. It combines the life value of critical perspective and desire painting with a full review of the scene photos of events and performances. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretation and combines life values through critical perspective and desire conceptual art abstraction design with a picture of the scene of the event.
Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)
"morning glory p77-4-3" & "morning glory 2022-d-bling bling"
By repeatedly sketching the design "morning glory 100-2" and applying Choi Chul-joo's desire formula "D(I...D...D'i)i" to the conceptual image of desire, the desire image "morning glory p77-4-3" reveals the meaning of abstract desire "morning glory 2022-d-bling bling" by realizing realistic formability in the shade of reversible light at that moment.
In addition, by repeating the verbal metaphor image and re-applying Choi Chul-joo's desire formula, it appears to have a phenomenal position in another place in one space in the shade of reversible light. Louis Choi Chul-joo 2022 The morning glory poster image, designed as an abstract conceptual art with desire in the New York exhibition, actualizes the desire image object and transfers it to abstraction.
Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
The abstract area of painting, which has a specific effect that reveals the image of desire as a meaning of "morning glory-bling bling" in conceptual art, is an image that can momentarily see the desire of others functioning gazefully in a landscape as a background of desire.
This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction in the same meaning as a conceptual semantic structure, but abstraction in the same meaning with different shapes is a real non-realistic being with different colors and sizes.
The existence defines an abstract space as a real reversible shape and refers to the abstraction meaning of conceptual art in which the shape is hidden by a movement that has actually been changed in the shade of reversible light.
A realistic desire that replaces the phenomenal place of abstraction meaning with a poster. Conceptual art abstraction can distinguish the place of the shape and conceives a different meaning to interpret the shape. The shape is abstracted as a realistic image of color and size similar to the meaning made as a conceptual structure to speak another meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and internally, the subject forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can be actually reversible and refers to the meaning of the designed desire of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.
Its meaning is designed as "morning glory", abstracted as a symbolic language that symbolizes flowers that imitate the desires of others.
By designing a figure that represents the desire of the other in the abstract "morning glory", it reproduces it as an abstract object as an object of desire image (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction). In the diagram of the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view revealed in the unconscious mind by creating a shadowed place with reversible light in which the visual system is concealed.
In this way, an object abstracted as a conceptual art of desire image forms a distorted flat image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry out of generality, creates an object in the shadow of formability with the desire of others as beings, and exists as a meaning.
As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the image of the object into a structure of meaning from the other's desire point of view.
And painterly, a small piece as the other's desire hidden in the background of morning glory and chicken shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is placed in an abstract space where the other's desire can be actually reversed as the meaning of the existence of an abstract object.
The desire of the other person shows a realistic form of non-realism that represents the meaning of the abstract landscape form that is hidden by the abstract desire of the other person. The shape is the intersection of the actual structure selected by the desire of the other created in abstract shades. This is an instantaneously abstracted shape at the intersection where the actual shape of the whole as a non-realistic realistic structure and the desire of the other designed in the shade of reversible light appear as a gaze.
In <Kim Yon-ja's bling bling 2>, the 'bling bling' of the perspective visual system is structured against the background of 'Napal Flower', and the subject in 'morning glory' disappears in the shade of reversible light that is distinct from reality.
The abstracted shape of the morning glory 2022-d-bling bling appears to be an object as another abstraction of reality transferred from symbolism as a reality that is not revealed by revealing the reality of another object other than the same object in the mirror.
The abstract object is not clearly revealed as an object reflected in the mirror as an object due to the desire of the other, but is concealed in a reversible shade of light, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who paints the picture replaces the other.
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Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now.
newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, Kim Yon-ja's bling bling 2, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. I want to be happier day by day like this, bling bling
. Je veux être plus heureux jour après jour comme ça, bling bling
■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.
= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.
In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 63-bling bling, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-10-63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 63, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d63, a hand-painted picture on a computer
Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, a morning glory woman, 113X180 cm, acrylic and composite materials on cloth, 2023
Louis Choi chul-joo, bling bling 6 [The interpretation of words in a cartoon newsː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶day by day _ Jour après jour
