현대미술 디자이너 최철주｜현대미술평론, 현대미술디자인/디자이너평론, 현대미술문화디자인평론 [3] 현대미술 문화디자이너 최철주의 현대미술 문화디자인 비평 / Contemporary Art Designer Choi Chul-joo ｜ Contemporary Art Criticism, Contemporary Art Design/Designer Criticism, Contemporary Art Cultural Design Criticism [3] Contemporary Art Cultural Design Designer Choi Chul-joo's Contemporary Art Cultural Design Criticism: Abstract contemporary art that designed modern art abstract painting [23] Abstract painter Louis Choi Chuljoo Abstract art work: Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [42] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Cartoon review of the concept [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review / The artwork posted on Facebook = 현대미술가 루이 최철주 배반적 개념미술로 한 실재적 추상화 작품:
Louis Choi chuljoo's Abstract painting <morning glory outside the window 2024-2-light & Shadow> 카툰을 욕망 개념으로 한 사실적 추상화 디자인 평론
Louis Chul-joo Choi, morning glory window 2024-2-Shadow, 357X225cm, acrylic and composite materials on cloth, 2024
Choi Chul-joo's comic abstraction as a treacherous conceptual art means the abstraction of the conceptual image of desire as a realistic structure in art. Since the conceptual meaning of desire that exists in place of a realistic form can be divided into a cartoon criticism image, abstraction is drawn through reversible contrast that interprets the image of events and performances as an image of others' abstract desires.
Choi Chul joo cartoon review, which uses contemporary art abstraction as a treacherous conceptual art, reinterprets the image of desire as a concept of cartoon.
Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024
The object "morning glory window 2024-light", which describes the meaning of the shape seen in the semantic space created by reversible light, is an abstraction drawn as a conceptual work of " Image Installation Performance", in which the image that conceals the desires of others in time is structured as a reversible shade of light. The meaning of abstraction of desire, that is, the image of desire reflected in the mirror, is a hypothetical non-realistic image of cartoon criticism, and contemporary artist Louis Choi Chul-joo describes the place of the other's unconscious desire with artistic movement in "morning glory", the background of the desire structure.
Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer, 2024
Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29)
/Reporter Choi Chul-joo’s Cartoon Review
. The special feeling of the body and mind is “Twice”
. Le sentiment spécial du corps et de l’esprit est « Twice »
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 193-The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 193-The special feeling of the body and mind, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: In front of the bamboo forest g193-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-7-1-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p110-7-1-The special feeling of the body and mind is “Twice”> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 193, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g193, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p110-7, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024
Louis Choi Chul-joo's "morning glory window 2024-2-shadow" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.
In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.
As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.
This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.
In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.
Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024
<morning glory window 2024-2-shadow> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.
Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-2-shadow> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.
The object <morning glory window 2024-2-shadow>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".
Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.
In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-2-shadow> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.
As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.
Abstract painting <morning glory window 2024-2-shadow> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.
In <morning glory window 2024-2-shadow>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.
Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024: Image installation overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image as the concept of desire as a structure of desire in a realistic structure.
Louis Choi Chul-joo's <morning glory window 2024-2-shadow> absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.
In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.
As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.
This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.
In visual culture as contemporary art, the fragmented image installation of urban images overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image into the concept of desire as a structure of desire in a realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)
Louis Chul-joo Choi, morning glory window 2024-2-Shadow (Part), 357X225cm, acrylic and composite materials on cloth, 2024
<morning glory window 2024-2-Shadow>는 나팔꽃의 실재를 의미하는 욕망적 배경 이미지를 가역적 빛의 음영으로 생성된 <morning glory window 2024-2-Shadow>의 중앙 부분 이미지다. 이것은 카툰 만평의 사건 이미지를 개념으로 욕망 개념을 사실적 추상화의 방법론으로 제시하는 최철주의 현대 추상미술 운동이다.
Louis Choi Chuljoo, morning glory window p-110
<morning glory window> 시리즈는 부산(해운대구청 갤러리)에서 한국 화가 & 추상화가 루이 최철주 <나팔꽃 윈도우>개인전 관련 현대미술 추상화 작품으로 한 포스터 <morning glory window p-110>을 제작하여서 이것을 욕망적 의미 구조로서 이미지를 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화 <morning glory outside the window 2024-2-light & Shadow> 다. 그리고 그 추상화를 순간적인 응시로 보이는 욕망 이미지로 구성하는 <morning glory window p-110>을 통한 욕망 개념 이미지를 가역적 빛의 음영으로 구조를 연쇄한 추상화 <morning glory window 2024-2-Shadow>를 출현한다.
<morning glory window 2024-2-light>는 나팔꽃의 실재를 의미하는 욕망적 배경 이미지를 가역적 빛의 음영으로 생성된 <morning glory window 2024-2-light>의 오른쪽 절반 이미지다. 이것은 카툰 만평의 사건 이미지를 개념으로 욕망 개념을 사실적 추상화의 방법론으로 제시하는 최철주의 현대 추상미술 운동이다.
Louis Choi chuljoo's Abstract painting: <morning glory window 2024-2-light>
사실적 비실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제 < morning glory outside the window 2024-2-light>는 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 욕망적 추상의 의미 즉 거울속의 비쳐진 욕망 이미지는 카툰 만평의 가상적인 비실재 이미지로서 타자의 무의식적 욕망의 자리를 <morning glory>에서 현대미술가 루이 최철주의 아트 무브먼트로 한 "이미지 설치 퍼포먼스 " 작품으로 그려낸 추상화다.
Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024 / Louis Choi chuljoo's Art movement Abstract painting "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 202401
그 추상화 위에 욕망 개념을 현대미술로 한 사실적 추상화의 방법론을 제시하는 최철주의 현대 미술 운동을을 부산(해운대구청 갤러리)에서 그 추상화를 또 다른 욕망 이미지로 구성하는 "Painting Installation Performance"를 통한 욕망 개념의 추상화를 생성하고자 카툰 이미지로 한 순간적인 욕망 개념이 응시로 보이는 특정효과가 발생하는 회화의 추상적 영역이다. 이것 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지 <morning glory window 2024-1-back> 다.
이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 형상의 추상적 존재로서 비실재하는 사실적 이미지이기 때문이다.
그 존재는 욕망 개념에 적용한 개념미술의 사실적 추상화로서 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 사실적 형상의로 한 개념 미술의 추상화 의미를 말한다.
Louis Chul-joo Choi, morning glory window 2024-2-Shadow, 357X225cm, acrylic and composite materials on cloth, 2024
욕망 개념 이미지로서 오브제 <morning glory window 2024-2-Shadow>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로 보이는오브제다. 이것은 사건과 공연 이미지를 욕망 개념으로 한 사실적 추상화다.
추상화로서 <morning glory window>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지로서 드라마, 재난, 폭동, 전쟁 그리고 공연의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.
그 추상화는 타인의 욕망의 그림자 이미지를 감추고 싶은 욕망의 개념을 사건과 공연 이미지를 반복하며 가역적 빛의 시간성과 중첩되는 욕망의 이미지를 수집한다.
그리고 나팔꽃을 욕망의 배경으로 춤을 추는 사람이 욕망을 가리고 공연 이미지속에 가역적인 시간 민감성을 부여하여 타인의 욕망이 되고, 빛의 이미지가 겹치지 않도록 현상적인 위치를 설정하는 추상 효과가 있다. 그 추상적 효과는 시간적 빛을 흡수해 이미지 표면의 상징적 표상을 제거하여서 사실적 욕망의 이미지를 만들어 내고 가역적인 빛의 그림자 속에 있는 욕망의 개념 이미지를 감춘다.,
욕망 개념 이미지로서 오브제 <morning glory window 2024-2-Shadow>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로 보이는오브제다. 이것은 사건과 공연 이미지를 욕망 개념으로 한 사실적 추상화다.
추상화로서 <morning glory window>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지로서 드라마, 재난, 폭동, 전쟁 그리고 공연의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.
그 추상화는 타인의 욕망의 그림자 이미지를 감추고 싶은 욕망의 개념을 사건과 공연 이미지를 반복하며 가역적 빛의 시간성과 중첩되는 욕망의 이미지를 수집한다.
그리고 나팔꽃을 욕망의 배경으로 춤을 추는 사람이 욕망을 가리고 공연 이미지속에 가역적인 시간 민감성을 부여하여 타인의 욕망이 되고, 빛의 이미지가 겹치지 않도록 현상적인 위치를 설정하는 추상 효과가 있다. 그 추상적 효과는 시간적 빛을 흡수해 이미지 표면의 상징적 표상을 제거하여서 사실적 욕망의 이미지를 만들어 내고 가역적인 빛의 그림자 속에 있는 욕망의 개념 이미지를 감춘다. / 글. 현대미술디자인평론가 최철주 (문화디자인박사)
이것은 욕망 개념의 배경에 반영된 무용수가 구름과 같은 비현실적인 하늘의 표면을 형상화하듯이 순간적으로 존재하는 가역적인 빛의 그림자 속에서 작은 간격을 두고 욕망 개념의 이미지가 전개되는 인상적인 추상화이다.
추상화는 현대미술 시각문화에서 도시에 대한 추상적 개념 이미지의 파편으로 현실적 구조 속 욕망의 구조로 디자인되어서 추상화된다.
