현대 화가 최철주｜현대미술평론 현대미술화가평론 현대미술추상화가작품평론 [8] Modern Art Painter Choi Chul-joo ｜ Contemporary Art Artist Louis Choi Chul-joo's abstract art design is a new art movement in abstract art that approaches images of events and performances in real life by abstractly designing the concept of desire./ Louis Chul-joo Choi, morning glory window 2024-9-the gaze of desire, 160X113cm, acrylic and composite materials on cloth, 2024/ Choi Chul-joo's Cartoonist newsmanwha–an editorial cartoon [12] Black Pink creates a new image reflected in the mirror like the painting Las Meninas. ACN ・ 2021. 2. 11. 15:47 / Contemporary Art Critic Choi Chul-joo's Cartoon review of the concept [12] 2019 K-WORLD Festa Opening Performance : Choi Chul-joo's Korean Pop Star (2019-8-18) / Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's Cartoon review of the concept [9] 2019 SORIBADA BEST K-MUSIC AWARDS : Choi Chul-joo's Korean Pop Star (2019-8-23) / Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon: K-pop star [7] TV (SBS)'s popular, Rocket Punch's exciting "bimbamboom". (2019.8.18.) / Reporter Choi Chul-joo’s Cartoon Review
Louis Chul-joo Choi, morning glory window 2024-9-the gaze of desire, 160X113cm, acrylic and composite materials on cloth, 2024
욕망의 시선을 찾아가는 추상미술의 디자인 프로세스
욕망의 시선은 주체로 한 피사체로 욕망의 보편적 시점에서 추상적 가치에 미치는 이미지로 보인다. 그 피사체의 이미지가 추상적 개념의 욕망이 구성한 형태적 기준에 맞춘 이미지다. 그 이미지는 구성적 형태를 가역적 시간성에 맞춘 욕망 개념과 구성적 형테에 추상적 욕망을 넣어서 맞춘다.
이것은 추상적 욕망으로 직관되는 사실적 상관 관계물로서 이미지를 추상적 의미로 대리한다.
그 이미지는 최철주의 욕망 개념의 프로세스에 따라 의미로 존재하는 대상을 정하고 추상적 조형요소를 구체화하여서 추상적 의미를 실재 이미지로 규정한다. 즉 언어적 추상에서 실재 이미지로서 추상의 의미를 귀납적으로 추론하여서 존재의 의미를 취한다.
그리고 그 이미지를 바라보는 시선은 실재의 외면으로 욕망 개념을 추상화하여서 그 욕망 개념으로 실재의 상관물로서 실재 이미지가 추상의 대상이 된다. 이것은 최철주 욕망 개념 추상미술의 디자인 프로세스1에 따른다.
이처럼 최철주의 욕망개념 설계과정 1은 현실세계와의 인과관계를 전제하는 것이 아니라 추상적 개념에서 현실구조로 전이되는 오해에서 벗어나기 위해 현실상과의 상관관계로서 욕망이라는 추상적 개념으로 귀결된다.
욕망 개념을 보여주는 범위는 실제 이미지에서 비롯된 욕망 개념의 음영으로 추상적 개념의 실제 크기를 생략하여 생성되고 위치한다. 또한 최철주의 욕망의 개념적 과정 2는 단일 이미지로서의 위치에 적합한 미적 가치를 갖기 위해 관습에 적합한 보편적 현실의 색채로 대상을 장식하는 과정을 따른다.
사실적인 색에 가려진 미적 구조는 구름으로 구분되고 음영이 있는 빛으로 가려져 실제 영상에서 추상적인 개념을 모호하게 만든다.
<욕망의 시선>에서 나팔꽃 배경과 욕망의 여인은 나팔꽃 배경을 욕망의 무대로 추상화하고, 욕망의 색깔로 멈춘 과거와 욕망과 대비되는 추상화를 만들어낸다.
그 추상화는 욕망에 의해 멈춰진 과거와 현재의 여성의 모습을 띠며, 과거의 여성 추상과 현재의 여성 현실과 동일한 언어적 의미의 여성에 대한 욕망의 형태이다. 그 모습을 대신하여 존재했던 나팔꽃의 배경은 욕망의 시점샷으로 보인다.
그 시점 숏은 피사체로서 나팔꽃과 여인들을 시선으로 보이는 추상화다.
정치인의 시각은 권력을 노리는 유권자들의 이익을 명분으로 공익상 윤리를 실천하지만 걸그룹 가수는 음악적 재능이 우선이다. 이들의 유튜브 조회수는 정치인의 유튜브 조회수보다 높다. 그럼에도 정치인은 유권자들을 누리꾼으로 접촉해 가치를 높이기 위해 유튜브로 방송한다.
그 유튜브 화면에서 작용하는 방향의 힘은 벡터(vector) 다.
정치가 방송 화면은 일정한 방향의 숏이 연결된 벡터가 연속성을 보일뿐 욕망 개념을 드러내지 못한다. 반면의 걸 그룹 방송 화면은 서로 대립된 방향의 숏으로 여러개의 방향에 벡터에서 욕망 개념을 시각화할 수 있다. 그 벡터는 욕망의 시선이 피사체에 연결된 선이 그 피사체와 다른 대상간의 동적 방향을 변화시키는 힘으로서의 동작 벡터(motion vector)다. 이것은 여러 방향으로 움직임으로서 욕망 개념을 시각적 벡터로 상징화한다.
따라서 모션 벡터가 높은 걸그룹들의 유튜브 영상은 서울시장 후보들의 영상보다 더 좋은 반응을 얻고 있다.
여기서 욕망이라는 개념의 이미지는 심리적 벡터이고, 비자발적 욕망은 개념 이미지를 응시하는 또 다른 시선이다.
이미지를 추상화로 인식하는 것은 사회적 환경에서 만들어진 욕망 구조의 주체를 과거의 존재로 표상하는 과정에서 현실의 대상으로서 욕망과의 상관성에 기반한 이미지의 결과이다.
즉 추상화를 그린 주체가 욕망 개념을 기호화한 실재를 대리자로 집행하여서 추상적 욕망을 이미지의 의식 현상으로 무의식이 실제화한다.
욕망은 이미지의 의식적 현상으로 실현된 추상적 이미지이며, 무의식적 구조는 생각 속에 선과 색을 결합한 욕망을 반복적으로 디자인하되 무의식적 행동으로 의식하지 않는 욕망 추상예술 개념의 디자인 과정 3이다.
무의식적으로 추상하는 욕망 개념은 실재의 대상이 가역적 빛의 음영으로 보이지 않는 실재의 조각 이미지로 실재를 그림자로 감추고서 또 다른 실재 이미지를 보인다.
그 이미지는 실재에서 조각난 평면적인 단색화가 의식 운동을 통해서 가역적 빛의 구조로 조합하여 자리한 욕망의 공간을 구성하는 것이 욕망 개념 추상미술의 디자인 프로세스4 이다.
이것은 최철주의 욕망 개념 추상미술의 디자인 프로세스로 생성된 욕망 개념 추상화는 그의 욕망 디자인 프로세스로서 언어적 의미가 원근법적 시각체계에서 또 다른 왜상적 실재로서 욕망 오브제를 드러낸다.
근대까지 데카르트적 의식은 대상을 언어적 의미를 의식 작용으로 의미와 대상간의 상관 관계로 동일시된 그 대상을 인식하지만 최철주의 욕망 개념은 언어적 추상을 의미적 상관물로서 나팔꽃과 대나무 숲 그리고 사라진 연못을 실재 이미지로 표현한다. 따라서 욕망 개념의 실재 이미지를 현상에서 독립된 추상화로 간주한다.
여기서 "욕망의 시선"은 욕망적 존재의 대상을 그 존재의 주체를 생성하는 형이상학적 이미지를 만들고 그 이미지를 가역적 빛의 음영으로 무의식적 욕망의 구조를 생성한다. 그리고 그 구조가 그려진 추상화를 바라보는 시선과 마주한다.
이렇게 그려진 추상화는 언어적 의미로서 일반성에서 벗어난 추상된 오브제는 타자의 무의식에서 드러난 욕망을 통해서 표출된 이미지를 의미의 구조로 추상한다. 그리고 타자의 욕망을 존재로 자율적으로 선택하고 욕망적 형식의 또 다른 구조로 욕망 오브제를 생성함으로서 미적 가치를 얻는다.
무의식적 욕망의 구조와 다른 형태의 욕망이 만들어내는 이미지는 타인의 욕망의 대상으로 보이는 이미지가 무의식적으로 표현하는 주체의 욕망의 구조이다.
그 구조를 이미지로 구현하는 욕망 개념의 추상화가 반복적으로 그려지면서 추상화는 욕망의 주체로서 결핍된 욕망을 충동하여 그려낸 추상화에 현실을 연결함으로써 욕망의 대상으로부터 분리되어 실제 이미지로 존재하게 된다.
그 이미지는 욕망의 주체로서 실제 이미지와 동일시되며 욕망의 개념에서 추상화된 타자의 의미를 형성한다. 이는 유아적 상상력으로서 모성의 영역에서 향유되는 상상력이다. 여기서 유아에게서 보이는 대상과의 상관성은 보호의 영역에서 타인의 욕망과의 공유된 관계를 통해 이루어진다. 이것은 그 욕망을 숨기고 거짓 가면을 쓴 정치인이 현실에 대한 상상력의 언어적 의미를 표현하는 대목이다.
따라서 유아는 거울에 비친 대상으로서의 상상력을 은유로 바라봄으로써 언어적 의미구조에서 추상화하여 욕구의 대상을 실제 대상의 이미지와 유아로서의 이미지를 충족시키는 이미지로 창조한다.
정치인은 자신의 얼굴을 가리고 어긋난 욕망을 감추며 영웅적 면모를 드러내는 이용자이다. 이들은 타인의 욕망을 대변하는 가면을 쓰고 사회적 욕망을 구현한다.
이는 정치인의 욕망을 사회적 욕망의 대상으로 구현하는 타인의 욕망을 매개하는 직접적인 효과로서, 욕망의 개념의 결과로서 경험이 가리키는 대상의 표상적 실제상을 추상화한다.
즉, 욕구개념이 행위에 영향을 미치는 실제상을 추상화로 상호 연관된 행위로 해석하는 것이다. 이는 욕구개념을 언어적 의미가 유사한 현실의 추상적 상징을 넘어서는 알레고리로 해석하는 것이다.
그러나 정치인들에게 가면은 유권자의 눈을 피해가는 선거장의 장식품처럼 유권자의 욕망에 맞춘 얼굴의 이미지만을 드러낼 뿐이다.
이는 정치인이 타인의 욕망을 주체로 하는 스틸 마스크 이미지로서의 상징적 인상이다.
유권자의 주체와의 상징적 상관관계로서 타자의 욕망은 비가역적이면서도 여전히 상징적 이미지로부터 전이된 추상적 현실 구조로 명시된다. 그러면 가역적 빛의 그림자에 매달린 추상적 공간이 만들어지고, 그 추상성을 형성하는 빛의 움직임으로부터 욕망의 소리가 추상화된다.
욕망의 소리를 텍스트로 명확하게 개념화하고, 그 개념을 보편적 구체로서 욕망의 추상적 이미지로 귀납적 시각화한다. 이는 텍스트 이미지로 전달되는 욕망의 의미와 유사하다.
이는 욕망의 개념만을 인식하고 이미지를 배제하고 개념을 구체화하며 의미와 현실의 구분을 통해 추상적 이미지를 현실로 순간적으로 만나 모방한다. 그리고 현실적 이미지를 통해 현실과의 순간적인 만남이 이루어지고 현실로서의 추상적 이미지를 본뜬다.
근대부터 정치를 풍자한 만화에 타원형의 말풍선으로 소리를 표현했다
만화적 소리 표현은 말풍선을 사용하여서 주체가 전달하려는 의도를 문자로 전달한다. 따라서 욕망 개념을 시각화하는 것은 추상화로 의미를 보이는 것이다. 그 추상화는 선과 색으로 형태를 분해하는 것을 회피한 실재 이미지다.
이는 입체파와 같은 형상적 요소를 분리하는 것이 아니라 가역적인 빛의 그림자에 의해 분리된 욕망의 장소를 만들어내고 욕망의 개념적 예술로서 실재 이미지의 추상화로 고정된다. / 글. 미술평론가 최철주 (추상화가 & 문화디자인박사)
Louis Chul-joo Choi, morning glory window 2024-9-the gaze of desire, 160X113cm, acrylic and composite materials on cloth, 2024
The Design Process of Abstract Art to Find the gaze of Desire
The gaze of desire appears as an image that affects abstract values from the universal perspective of desire as a subject. The image of the subject is the image that meets the morphological criteria that the desire of the abstract concept constitutes. The image adjusts the compositional form to reversible temporality by adding abstract desire to the concept and compositional form of desire.
This represents an image in an abstract sense as a correlation of facts intuitively designed by abstract desires.
According to the process of Choi Chul-joo's concept of desire, the image defines the abstract meaning as a real image by determining the object that exists in the meaning and embodying the abstract formative element. In other words, it takes the meaning of existence by inductively inferring the meaning of abstraction as a real image from verbal abstraction.
In addition, the concept of desire is abstracted from the perspective of an image to the outside of real, and the image of reality as an object of abstraction is designed as the correlation between real and real. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire.
In this way, Choi Chul-joo's Desire Concept Design Process 1 does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with the real image to escape the misunderstanding that transfers from the abstract concept to the real structure.
The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as the shade of the concept of desire resulting from the real image. In addition, the conceptual process 2 of Choi Chul-joo's desire follows the process of decorating the object with the color of universal reality suitable for custom in order to have an aesthetic value suitable for its position as a single image.
The aesthetic structures obscured by realistic colors are distinguished by clouds and obscured by shaded light, obscuring abstract concepts in real images.
In "Gaze of Desire", the morning glory background and the woman of desire abstracts the morning glory background as a stage of desire and creates an abstraction that contrasts with the past and desire that stopped with the color of desire.
The abstraction takes on the form of women in the past and present stopped by desire, and is a form of desire for women in the same linguistic sense as the female abstraction of the past and the female reality of the present. The background of the morning glory that existed in place of its appearance seems to be a viewpoint shot of desire.
The politician's perspective practices ethics in the public interest in the name of the interests of voters seeking power, but girl group singers have musical talent first. Their YouTube views are higher than those of politicians. Nevertheless, politicians broadcast on YouTube to increase their value by contacting voters as Internet users.
The force in the direction acting on the YouTube screen is a vector.
In the politician broadcast screen, a vector in which shorts in a certain direction are connected only shows continuity, but does not reveal the concept of desire. On the other hand, the girl group broadcast screen can visualize the concept of desire in vectors in multiple directions by shorts in opposite directions. The vector is a motion vector as a force in which a line of desire's gaze is connected to the subject changes the dynamic direction between the subject and another object. It symbolizes the concept of desire as a visual vector as a movement in various directions.
Therefore, YouTube videos of girl groups with high motion vectors get more favorable responses than those of candidates for Seoul mayor.
Here, the image of the concept of desire is a psychological vector, and the involuntary desire is another gaze, staring at the concept image.
Recognizing the image as abstraction is the result of an image based on the correlation with desire as an object of reality in the process of representing a subject of a desire structure created in a social environment as a being in the past.
In other words, the subject who painted abstraction implements the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image.
Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is the design process 3 of the concept of desire abstract art that repeatedly designs desires that combine lines and colors in thoughts but are not conscious as unconscious actions.
The unconsciously abstract concept of desire is a sculpture image of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image.
The image is the design process 4 of the concept of desire abstract art that constitutes a space of desire by combining it into a reversible light structure through conscious movement of flat monochromatic painting carved from reality.
This is Choi Chul-joo's concept of desire Abstraction. The concept of desire Abstraction created by the design process of art reveals a desire object as another skewed reality in the perspective visual system.
Until modern times, Cartesian consciousness recognizes objects that have been identified as verbal meanings through conscious action and correlations between meanings and objects, but Choi Cheol-joo's concept of desire expresses verbal abstraction as a real image as a semantic correlation. Therefore, the real image of the concept of desire is regarded as an abstraction independent of the phenomenon.
Here, the "desire gaze" creates a metaphysical image in which the object of a desired existence generates the subject of that existence, and creates a structure of unconscious desire with the image in a reversible shade of light. And it faces the gaze of looking at the abstraction in which the structure is painted.
Abstraction drawn in this way is a linguistic meaning, and an abstract object that deviates from generality abstracts the image expressed through the desire revealed in the unconscious of the other into a structure of meaning. And it gains aesthetic value by autonomously choosing the desires of others as beings and creating a desire object as another structure of a desired form.
The structure of unconscious desire and the image created by another form of desire are the structure of the subject's desire unconsciously expressed by the image that appears to be an object of the desires of others.
As the abstraction of the concept of desire that embodies the structure as an image is repeatedly drawn, abstraction is separated from the object of desire and exists as a real image by connecting reality to the abstraction drawn by impulsing the desire that is lacking as the subject of desire.
The image is identified with the real image as the subject of desire and forms the meaning of the other abstracted from the concept of desire. This is the imagination enjoyed in the realm of motherhood as an infantile imagination. Here, the correlation with objects seen in infants is achieved through a shared relationship with the desires of others in the realm of protection. This is where a politician who hides desire and wears a false mask expresses the linguistic meaning of the imagination of reality.
Therefore, by viewing the imagination as a metaphor as an object reflected in a mirror, infants abstract from the linguistic semantic structure to create an object of desire as an image that satisfies the image of an actual object and an image as an infant.
Politicians are the users who cover their faces, hide their misaligned desires, and reveal heroic aspects. They embody social desires by wearing masks that represent the desires of others.
This is a direct effect that mediates the desires of others who embody the desires of politicians as an object of social desire, and as a result of the concept of desire, abstracts the representational real image of the object indicated by experience.
In other words, it interprets the actual image in which the concept of desire affects behavior as an abstraction as a correlated action. This interprets the concept of desire as an allegory that goes beyond abstract symbols in reality with similar linguistic meanings.
However, for politicians, masks only reveal images of faces tailored to voters' desires, like ornaments on election grounds that avoid voters' eyes.
This is a symbolic impression of a politician as a still mask image with the desires of others as the subject.
As a symbolic correlation with the voter's subject, the desire of the other is specified as an abstract reality structure transferred from an irreversible and still symbolic image. Then, an abstract space suspended in the shadow of reversible light is created, and the sound of desire is abstracted from the movement of light that forms that abstraction.
The sound of desire is clearly conceptualized as a text, and the concept is inductively visualized as an abstract image of desire as a universal sphere. This is similar to the meaning of desire delivered as a text image.
This recognizes only the concept of desire, excludes the image, embodies the concept, and instantaneously meets and imitates the abstract image as reality through the distinction between meaning and reality. And through the realistic image, the momentary encounter with reality is achieved, and the abstract image as reality is modeled.
In cartoons that have satirized politics since modern times, the sound has been expressed with oval speech balloons
Comic sound expression uses speech balloons to convey the subject's intention through text. Therefore, visualizing the concept of desire shows meaning through abstraction.
The abstraction is a real image that avoids decomposing shape into lines and colors.
This does not separate the shape components like cubism, but creates a place of desire separated by the shadow of reversible light and is fixed as an abstraction of a real image as a conceptual art of desire. / Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)
Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)
Choi Chul-joo, Black Pink creates a new image reflected in the mirror like the painting Las Meninas 1２－2, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Choi Chul-joo's Cartoonist newsmanwha–an editorial cartoon [12] Black Pink creates a new image reflected in the mirror like the painting Las Meninas. ACN ・ 2021. 2. 11. 15:47 / Reporter Choi Chul-joo’s Cartoon Review
. BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids."
. BLACKPINK crée une nouvelle image dans le miroir comme l'image « The Maids ».
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 1１８-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids.", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest ｃ１１８-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids." －ｐｏｎｄ: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory ｐ１１７－１BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids." 12, US President Trump says American films like 'Gone With the Wind' should win Academy Awards: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p１１７－１> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-Bankers sent home as Deutsche starts slashing jobs> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p１１７> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 1１８, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest ｃ１１８, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p１１７, a hand-painted picture on a computer
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Louis Choi chuljoo, Black Pink creates a new image reflected in the mirror like the painting Las Meninas 1６ [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle cricature] ■ Choi Chul-joo's Cartoonist newsmanwha–an editorial cartoon [12] Black Pink creates a new image reflected in the mirror like the painting Las Meninas. ACN ・ 2021. 2. 11. 15:47 / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Labour Force Reduction _ Réduction de la population active.
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, 2019 K-WORLD Festa Opening Performance 7, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. 2019 K-WORLD Festa Opening Performance
. Spectacle d'ouverture du festival K-WORLD 2019
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 119-2019 K-WORLD Festa Opening Performance, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d119-2019 K-WORLD Festa Opening Performance : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d119-2019 K-WORLD Festa Opening Performance-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p117-2-2019 K-WORLD Festa Opening Performance : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p117-2> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-2019 K-WORLD Festa Opening Performance> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p117-2-2019 K-WORLD Festa Opening Performance> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 119, a hand-painted picture on a computer
Background image of an artist's artwork: 2019 K-WORLD Festa Opening Performance 4, a hand-painted picture on a computer
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Louis Choi Chul-joo, morning glory p117, a hand-painted picture on a computer, 2024
Louis Chul-joo Choi, 2019 K-WORLD Festa Opening Performance 12, a hand-painted picture on a computer, 2024 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [12] 2019 K-WORLD Festa Opening Performance / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Opening Performance. _ Spectacle d'ouverture. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).▶Opening Performance. _ Spectacle d'ouverture.
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, 2019 SORIBADA BEST K-MUSIC AWARDS 1, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. 2019 SORIBADA BEST K-MUSIC AWARDS
. 2019 SORIBADA Meilleur Corée-Musique de remise des prix
Louis Chul-joo Choi, 2019 SORIBADA BEST K-MUSIC AWARDS 2, a hand-painted picture on a computer, 2019
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 120-2019 SORIBADA BEST K-MUSIC AWARDS, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, n front of the bamboo forest g120-2019 SORIBADA BEST K-MUSIC AWARDS: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light
esire Concept Realistic Abstract Work: Louis Choi chuljoo, n front of the bamboo forest g120-2019 SORIBADA BEST K-MUSIC AWARDS-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p117-3-2019 SORIBADA BEST K-MUSIC AWARDS: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-2019 SORIBADA BEST K-MUSIC AWARDS> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p117-3-2019 SORIBADA BEST K-MUSIC AWARDS> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 120, a hand-painted picture on a computer
Background image of an artist's artwork:Louis Chul-joo Choi, Sketch: 2019 SORIBADA BEST K-MUSIC AWARDS, a hand-painted picture on a computer, 2019
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Louis Choi Chul-joo, morning glory p117, a hand-painted picture on a computer, 2024
Louis Choi chuljoo, 2019 SORIBADA BEST K-MUSIC AWARDS 4 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [9] 2019 SORIBADA BEST K-MUSIC AWARDS : Chul-joo Choi & Kang's Korean Pop Star (2019-8-23) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Group Lusty _ Groupe Lusty. * 2019.08.18. TV(SBS) "Inkigayo" is aired
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Choi Chul-joo, Rocket Punch's exciting "bimbamboom", a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon: K-pop star
. TV(SBS)'s popular, Rocket Punch's exciting "bimbamboom."
. La télévision(SBS), populaire, le « bimbamboom » de Rocket Punch.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest169-Rocket Punch's exciting "bimbamboom", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b169 -Rocket Punch's exciting "bimbamboom": By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b169 -Rocket Punch's exciting "bimbamboom"-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light./ Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p117-4> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Rocket Punch's exciting "bimbamboom"-pond> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p117-4-Rocket Punch's exciting "bimbamboom" : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p117-4> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Rocket Punch's exciting "bimbamboom"> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 169, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b169, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p117, a hand-painted picture on a computer
Louis Choi chuljoo, Rocket Punch's exciting "bimbamboom" 5 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon: K-pop star [7] TV (SBS)'s popular, Rocket Punch's exciting "bimbamboom". (2019.8.18.) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
