현대 화가 최철주｜현대미술평론 현대미술화가평론 현대미술추상화가작품평론 [12] Modern Art Painter Choi Chul-joo ｜ Contemporary Art Artist Louis Choi Chul-joo's abstract art design is a new art movement in abstract art that approaches images of events and performances in real life by abstractly designing the concept of desire.: Louis Choi Chul-joo, morning glory p122-From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube, a hand-painted picture on a computer, 2024 & Korean News Cartoon Culture Column in Cartoon Review [195] Kamala Harris Accepts U.S. Presidential Candidate, (2024-9-8)/ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's K-Pop Song illustratoin [7] MONSTA X illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27)/ Reporter Choi Chul-joo’s Cartoon Review
Louis Choi Chul-joo, morning glory p122-From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube, a hand-painted picture on a computer, 2024
욕구 부족에서 형태 변화에 이르기까지 젊은 유권자들은 유튜브에서 캠페인 방송보다는 블랙핑크의 더 쇼를 시청하고 싶어한다
같은 공간에서 현실과 비현실의 이미지를 재현하는 데 있어 피카소처럼 보이지 않는 비현실의 이미지를 거울에 비친 이미지처럼 한 화면에 겹쳐서 표현한다.
이것은 욕망 이미지로서의 대상, 현실을 드러내고자 하는 욕망의 구조 이미지로서의 욕망의 미적 결과이다. 그 현실은 욕망을 이미지로 명시하려는 무의식적 욕망의 개념을 넘어 시대가 요구하는 의식적 욕망과의 상관관계를 통해 가역적 흔적의 위치와 형태를 드러내고 있다.
또한 욕망의 개념을 무의식적 욕망에서 실제 이미지로 변환하여 욕망의 결핍에서 형태의 움직임을 만들어내고, 욕망의 개념을 가역적인 빛의 음영을 가진 의식적 추상 구조로 변환하여 실존적 욕망 공간을 만듭니다.
젊은 유권자들은 유튜브에서 선거 방송보다 블랙핑크의 '더 쇼'를 보고 싶어합니다. <라스 메니나스>의 처녀들과 같은 방식으로 현대적 현상과 인간의 존재감을 보여줍니다. 왕과 왕비 대신 서울시장 후보들의 위치를 시각화하여 젊은 유권자들이 바라보는 현실의 주체로서의 존재감을 강조한다,
"라스 메니나스"에서는 거울에 비친 물체가 판타지이지만, 만화 리뷰 12호에서는 거울 속 판타지 물체가 실제 서울시장 후보 이미지를 보여줍니다.
이 환상의 연출은 거울에 비친 사물의 주체가 환상의 대상이며, 이미지와 의미의 관계에 의한 주체의 절단이다.
따라서 젊은 유권자들이 유튜브에서 선거 방송이 아닌 블랙핑크의 '더 쇼'를 보고 싶어 하는 환상으로서의 현실은 거울을 통해 원형 구조로 반영된 이미지를 형성하고, 비현실적인 세계에 삽입된 후보는 거울에 반영되고 판타지적인 대상은 블랙핑크로 표현된다. 여기서 의미 작용은 이미지와 의미의 관계에 따라 가상의 이미지를 새로운 주체로 받아들이면서 중립적인 상징성을 띠게 된다.
그리고 언어 이미지 추상적 구조에서 벗어난 실제 이미지를 삽입하여 무의식적 욕망 개념에 욕망 구조를 기능시키는 기능과 마찬가지로, 추상적 욕망의 이진 관계를 구성하는 기능으로서 욕망 이미지를 미적 이미지로 구조화하여 문화가 욕망으로부터 욕망의 주체를 의식적으로 인식하고 상상적 무의식에 기반한 다른 왜곡으로부터 벗어날 수 있도록 한다.
그리고 다빈치의 모나리자처럼 그늘진 천 뒷면의 작은 구멍 사이에는 피부 아래 표면에서 반사되는 색광이 천 뒷면의 작은 구멍 사이에 만들어져 실제 욕망의 구조를 그려낸다.
이는 최철주의 욕망 개념에서 욕망을 바라보는 형식의 틀을 욕망 개념의 추상적 설계 과정으로 만들고, 욕망을 응시하게 하는 시선을 현실의 구조로 전환한다./ 글. 현대 미술평론가.최철주 (문화디자인박사)
Louis Choi Chul-joo, morning glory p122-1-From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube, a hand-painted picture on a computer, 2024
From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube
In reproducing the image of reality and non-real in the same space, the image of non-real, which does not look like Picasso, is superimposed on one screen like an image reflected in a mirror.
This is an object as a desire image, an aesthetic result of desire as a skeletal image of desire to reveal reality. Its reality goes beyond the concept of unconscious desire to specify desire as an image and reveals the position and shape of the reversible trace through the correlation with the conscious desire required by the time.
This creates an existential desire space by converting the concept of desire from unconscious desire to a real image to create a form of shape movement from a lack of desire, and by converting the concept of desire into a conscious abstract structure with a reversible shade of light.
Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube. It shows the contemporary phenomenon and human presence in the same way as the maidens in <The Las Meninas>. It emphasizes the presence as a subject of reality that young voters gaze at by visualizing the location of the Seoul mayoral candidates in place of the king and queen,
In "The Las Meninas", the object reflected in the mirror is a fantasy, but in the 12th issue of cartoon review, the fantasy object in the mirror shows real candidates for the mayor of Seoul.
The production of this fantasy is that the subject of the object reflected in the mirror is the object of the fantasy, and it is the cutting of the subject by the relationship between image and meaning.
Therefore, the reality as an illusion that young voters want to see Black Pink's The Show rather than an election broadcast on YouTube forms an image reflected in a circular structure through a mirror, and candidates inserted into the unreal world are reflected in the mirror and fantasy objects are expressed in Black Pink. Here, the semantic action takes on a neutral symbolism by accepting the virtual image as a new subject according to the relationship between the image and meaning.
And Language Image Just like the function of functioning the desire structure into the unconscious desire concept by inserting a real image that deviates from the abstract structure, the desire image is structured into an aesthetic image as a function that constitutes a binary relationship of abstract desire so that culture can consciously recognize the subject of desire from desire and escape from other distortions based on the imaginary unconscious.
Between the small holes on the back of the shaded fabric like Da Vinci's Mona Lisa, the colored light that is reflected off the surface beneath the skin is created between the small holes on the back of the fabric to paint a real structure of desire.
This makes the framework of the form of looking at desire in Choi Chul-joo's concept of desire an abstract design process of the concept of desire, and converts the gaze that makes you stare at desire into a structure of reality./ Writing. Choi Chul-joo, a contemporary art critic
Louis Choi Chul-joo, morning glory p121-4-2024 U.S. presidential candidate-pond, a hand-painted picture on a computer
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory', 'Bamboo forest' ' & 'pond' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, 2024 U.S. presidential candidate, a hand-painted picture on a compute
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [195] Kamala Harris Accepts U.S. Presidential Candidate, (2024-9-8) / Reporter Choi Chul-joo’s Cartoon Review
. 2024 U.S. presidential candidate
. 2024 Candidat à la présidentielle américaine
Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, bamboo forest d204-2024 U.S. presidential candidate, a hand-painted picture on a computer: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest d204-2024 U.S. presidential candidate: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest d204-2024 U.S. presidential candidate> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <2024 U.S. presidential candidate> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <bamboo forest d204-2024 U.S. presidential candidate> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d204-2024 U.S. presidential candidate-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "bamboo forest d204-2024 U.S. presidential candidate" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "bamboo forest d204-2024 U.S. presidential candidate". Therefore, conceptual abstract painter Louis Choi Chul-joo's "bamboo forest d204-2024 U.S. presidential candidate-pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory
Louis Choi chuljoo, 2024 U.S. presidential candidate 4 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korean News Cartoon Culture Column in Cartoon Review [195] 2024 U.S. presidential candidate, (2024-9-8) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p121, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p114, a hand-painted picture on a computer
Final image superimposed on the artist's work:Louis Chul-joo Choi, a missing pond, 112X249cm, acrylic and composite materials on cloth, 2024
Its reality goes beyond the concept of unconscious desire to specify desire as an image and reveals the position and shape of the reversible trace through the correlation with the conscious desire required by the time.
This creates an existential desire space by converting the concept of desire from unconscious desire to a real image to create a form of shape movement from a lack of desire, and by converting the concept of desire into a conscious abstract structure with a reversible shade of light.
The Conceptual Stage of Art Criticism by Louis Choi Chul-joo: Choi Chul-joo's Desire Concept Abstract Art Design Process is rooted in the Lacan Concept as a psychoanalytic theory and the step in his design process is to design the Desire Concept.
1. Expression of Reality Symbols on the Concept of Abstract Desire: It begins with conceptualizing the subject of desire as a conceptual sign from the object of abstract desire as a real image. Here, desire is designed by imagining the concept of abstract desire as a visual form representing the subject's unconscious desire.
2. Realizing Desire Correlation in Reversible Shades of Light: To create a dynamic interaction between reality and abstract desire concepts in reversible shading of light, Choi Chul-joo's Desire Formula is applied to design the correlation between desire concept and correlation.
3.Presenting Desire Background as Abstract Space: Using the Desire Background as a series of "Morning Glory," "Bamboo Forest," and "Pond," design that represents the structure of unconscious desire and the reality reflected in reality between the visible desire correlation and the hidden desire background.
4.Composing the linguistic desire structure into a real image: To express the concept of abstract desire as a linguistic desire structure as a real image, the abstract linguistic concept of desire structure is repeatedly designed as a real image to reflect the symbolic reality of the linguistic desire structure.
5. Visualization of Desire Structures in Cultural Context: To create works of art that acquire aesthetic value from desire structures so that they can empathize with cultural backgrounds, colors, forms, and compositions are put into practice by design.
Louis Chul-joo Choi, morning glory window 2024-10-a shapeshifting from a lack of desire, 122X112cm, acrylic and composite materials on cloth, 2024
TFinal image superimposed on the artist's work:he abstract demand for the lack of desire to rule the conceptual image of desire with the same motif as the visual structure is the symbol of the other.
Like the god who created the shape of Shapeshifting, it transforms flowers into a symbol of perpetuity, creating a background of desire and expanding the range of desire to land and sea with chickens and fish.
The range of desire created a form of shape Shapeshifting in which the object was replaced by a structure of desire from one image to a picture effect.
The visual structure in which the object image of desire is transformed into a semantic effect is the encounter with a conceptual image in which unconscious desire is an attribute of an object.
This is a visual structure of desire, and a dancer who transforms to find chickens and fish repeatedly designs the concept of desire.
Here, a woman who appeared as the subject of desire hides the chicken in a reversible shadow to satisfy the existential deficiency and visualizes the shadow of the fish reflected in the pond as a Euclidean vector of real space.
In this visualized image, the abstract concept of linguistic desire is reflected in the pond, and the symbolic image repeats the expressive desire structure of the image and projects it into the reversible shadow of light.
As an outline of reversible light according to language culture, fish that deviate from mythological imagination transform into a geometric real structure with size and direction.
According to the semantic action of the real structure, the linguistic meaning of the image divided into several forms is created as an image consistent with reversible temporality, and the entire image obscured in the shade of reversible light is expressed.
Louis Choi chuljoo, morning glory-Let me be your fantasy [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's K-Pop Song illustratoin [7] MONSTA X illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Online Live._ En direct en ligne. ■ Choi Chul-joo's concept of desire, "morning glory," conflicts with linguistic concepts of meaning emphasized from a metaphysical philosophical point of view, creating dramatic event images to express the subject of insufficient desire, and illuminating the image in reversible shades of white light. He reflects the linguistic grammatical meaning of abstract desire concepts as images to form spaces of multiple event images that share superimposed temporality and reversible white light shades. This is interpreted as the subject of the absence of desire beyond the abstract self of the desire of others rather than physical perception, unlike the materialism of painting in the 18th century. The linguistic grammatical meaning of abstract desire concepts is a dualistic object that regards real images as events, equating the structure of insufficient desire with the principle of spatial composition. And as reversible light at the point of light over time, the material is made into a real image as an object. Thus, the concept of abstract desire in a pond that reflects the image of an event is expressed as a real image that reflects the desires of others in the real world. ■ Choi Chul-joo's Concept of Desire Formula: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure. 4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see. Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image.
