이미지 설치미술가 최철주｜현대설치미술평론 현대설치미술가평론 이미지설치작품평론 Contemporary artwork criticism : Contemporary Art Installation Criticism [4] Contemporary installation artist artwork [3] contemporary art sculpture image artwork: Contemporary Artist Louis Choi Chul-joo Installation Art Review & Abstract Artist Louis Choi Chul-joo Design Review of Painting and Sculpture Design: Famous Installation Artist, Contemporary Artist, Abstract Artist, Conceptual Artist Installation Art Painting and Sculpture / Contemporary installation art work & contemporary art sculpture image artwork : Media Art Display Installation: <Bamboo Forest> by Louis Choi Chul-joo, a media art work at the Minoo Media Art Museum
Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review / Media Art Steel Photography: "In Front of the "Bamboo Forest" Photo Review / Photo Aesthetics Review: Photo Critic & Image Concept Artist Choi Chul-joo's Photo Review & Modern Photo Aesthetics Review: Media Art Still Image Photo: "Media Art Steel Photo: In front of Bamboo Forest" 20201126-20201210, Minoo Media Art Museum
미디어 아티스트 루이 최철주 개인전/ 미디어아트 영상전시 Media Artist & Contemporary installation artist Louis Chul-joo Choi’s Media Art Video Display: <대나무 숲>,20201126-20201210, Minoo Media Art Museum
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest) / 20201126-20201210, Minoo Media Art Museum
설치 미술가 루이 최철주 개념 설치 미디어아트: 대나무 숲
현대 개념 설치 미술가 루이 최철주는 사진의 기본적 특징인 빛과 그림을 바탕으로 구성을 개념 설치 미디어 아트로 설치 조형물 <대나무 숲>을 구현했다.
이것은 현존하는 대나무 사진들을 패러디한 그림으로 드가(Edgar Degas)의 사진처럼 계산된 정확한 구도와 빛 공간을 의식하는 필연적 조형성으로 한 설치 조형물이다.
현실적 조우(遭遇)로서 비와 바람의 이미지를 그대로 그려서 미적 시간성에 맞춘 대나무 숲과 그 시간에 일어나는 본뜬 사진적 형상을 더불어 보인다. 이것은 대나무의 한정된 사진적 프레임과 달리 296개의 대나무 숲 사진의 문체(文體)적 개념 이미지를 일러스트레이션 한 미디어아트 설치 조형물<대나무 숲>이다.
설치 조형물으로서 미디어 아트에서 대나무 숲의 개념적 이미지 효과는 이미지가 표면 영역 내의 공간에 영향을 미치지 않는 시간 때문에 일시성이 다른 그 공간의 소재 즉 설치 조형물이 된다.
20201126-20201210, Minoo Media Art Museum
그 공간에서 영향을 미치는 이미지의 의미와 효과는 그 시간성에 있는 공간의 주체다.
따라서 설치 조형물 '대나무 숲'은 사진 이미지에서 베낀 왜상적 이미지다. 그 결과로써 대나무 숲의 미적 가치는 미디어 아트 <대나무 숲>으로, 대나무 이미지의 설치는 존재하지 않는 그림으로서의 이미지에 감추어진 비조형적 형식과 시간성의 주체와의 연관성을 드러낸다.
설치 조형물<대나무 숲>의 시간성은 미디어 이용자의 가상적 공간을 만들고 또 다른 시간성의 개입이 연쇄하여서 그려진 가상적 이미지를 촬영한 사진으로한 사진과 디스플레이 모니터 그리고 미디어아트 <대나무 숲>이 시각적 연속성을 스틸 이미지와 영상으로 보인다.
이것은 보이지 않는 대나무 숲에 겹쳐진 대나무의 빛과 어둠을 각인시키고, 사진에서 떨어져 있는 대나무 그림의 실제를 이미지와 영상으로 객관화한다.
여기서 설치 조형물<대나무 숲>은 이미지의 대상과 사진의 상징적 표현 사이의 관계를 나타내며, 대상으로서 대나무의 구조주의적 형태는 돌이킬 수 없이 정지된 기호적 사진이 된다.
그 사진은 사진 구조로서 대나무를 주제로 한 정지된 기호적 인상이다. 여기서 인상은 대상의 주체와 기호적 사진표현의 관계를 나타내며 주체로서 대나무들의 구조주의적 소리가 돌이킬 수 없이 정지된 기호적 사진이 설치로서의 조형물이 된다.
그러나 대나무의 이미지는 보이는 유사성과는 다르게 이미지와 영상이 조합되어서 동일시된 대나무 사진의 의미를 왜곡시킨다. 이것은 실존적으로 일치되지 않는 사진과 영상의 스틸 이미지의 기표일 뿐이다.
따라서 사진과 형태가 다른 일러스트레이션한 그림을 촬영하여 사진과 동일하여서 개념적 형태를 실제한다. 루이 설치 조형물<대나무 숲>의 그림으로 한 사진의 의미는 언어의 구조와 같이 은유적이어서 대나무의 형태와는 동일하지 않기 때문에 시간성의 실재로서 형태와 이미지가 다른 비와 바람을 끼어서 중첩된 또 다른 대나무 숲의 비존재 하는 비와 바람의 무의식적 그림으로 실제를 설치 구조화한다.
그리고 대나무 숲의 주체가 스스로 만들어낸 위치의 결여로 그려지는 가상적 이미지를 다른 설치 조형물로서의 미디어 아트로 대체하고 대나무 숲의 내면적 이미지의 실제를 설치한다. /글. 미술평론가 최철주 (설치미술가 & 문화디자인박사)
미디어 아티스트 개념 이미지 설치 미술가 작품 루이 최철주 개인전 미디어아트 영상전시 Media Art conceptual artist Louis Chul-joo Choi’s Media Art Video Display: <최철주 나팔꽃>, <사라진 연못>, <대나무 숲>, <신윤복풍주밀회도(申潤福風晝密會圖)=최철주의 송하선인취생도>, 20201126-20201210, Minoo Media Art Museum
Louis Chul-joo Choi <Bamboo forest>
The meaning of photo <Bamboo Forest>, a picture-shaped illustration taken by artist Chul-joo Choi, is metaphorical like the structure of language, so it is not like bamboo. It is a non-existent painting that overlaps rain and wind with other forms or images due to temporary reality.media art bamboo forest by chul-joo Choi
Louis Choi Chul-joo, Painting; Bamboo Forest-115
Louis Choi Chul-joo, Painting; Bamboo Forest-142
Louis Choi Chul-joo, Painting; Bamboo Forest-196
Louis Choi Chul-joo, Painting; Bamboo Forest-298
Image Concept Artist Choi Chul-joo's Photo Review & Modern Photo Aesthetics Review: Media Art Still Image Photo: "Media Art Steel Photo: In front of Bamboo Forest" 20201126-20201210, Minoo Media Art Museum
Abstract design as a conceptual semantic structure Abstract photography of modern art : The contemporary artwork posted on Facebook: Abstract Photo of Painting <In front of Bamboo Forest> Louis Choi Chuljoo, Louie's media art "bamboo forest" 2nd edition of contemporary artwork(Abstract photography), 20201126-20201210, Minoo Media Art Museum/
Photo Review and Contemporary Photo Aesthetics Review Media Art <In front of Bamboo Forest>: "Bamboo Forest" Media Art 2nd Edition (Picture of Painting), 2023
Desire Concept Realistic Abstract Work: Choi chuljoo, In front of the bamboo forest 87- The special feeling of the body and mind 3: Desire's imaginary world and metamorphic Desire Formula <D(I...I')d=I(D...D'i)i>.. By repeatedly applying <D(I...I')d=I(D...D'i)i>, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Photographs that reveal the spatiality and timeliness of photographs as continuity of light are close to pictorial photography. These pictorial photographs are transforming into abstract photographs pursuing the fantasy beauty of composition and form, not pictorial imitation.
Accordingly, Dr. Choi Chul-joo worked as the head of the academic research office of the Minwoo Museum of Modern and Contemporary Art dedicated to media art and created <Bamboo Forest>, which embodies the composition of media art based on light and painting, which are the basic characteristics of photography. And as the second work of "Bamboo Forest," "In front of the Bamboo Forest" is a photo of the abstract painting "In front of the Bamboo Forest" produced by abstract artist Louis Choi Chul-joo.
Louis Choi Chuljoo, <In front of the Bamboo Forest 196>: Louie's media art "bamboo forest" 2nd edition of contemporary artwork(Abstract photography), 20201126-20201210, Minoo Media Art Museum
A still image photo of <Bamboo Forest> that embodies the still image composition of media art through painting
20201126-20201210, Minoo Media Art Museum
20201126-20201210, Minoo Media Art Museum
20201126-20201210, Minoo Media Art Museum
20201126-20201210, Minoo Media Art Museum
Photographs that reveal the spatiality and timeliness of photographs as continuity of light are close to pictorial photographs. These pictorial photographs are transforming into abstract photographs that pursue the illusion of composition and form, not pictorial imitation.
Accordingly, Choi Chul-joo, a doctor of cultural design, worked as the head of the academic research office of the Minoo Media Art Museum dedicated to media art and created <Bamboo Forest>, which embodies the composition of media art based on light and painting, which are the basic characteristics of photography. In addition, as the second work of <Bamboo Forest>, the image of the abstract painting <In front of the Bamboo Forest> produced by abstract artist Louis Choi Chul-joo was embodied as a media art still image.
A still image photo -25 : A still image of embodied in paintings
A still image photo -48 : A still image of embodied in paintings
A still image photo -78 : A still image of embodied in paintings
A still image photo -96 : A still image of embodied in paintings
A still image photo -116 : A still image of embodied in paintings
A still image photo -128 : A still image of embodied in paintings
A still image photo -116 : A still image of embodied in paintings
A still image photo -128 : A still image of embodied in paintings
A still image photo -216 : A still image of embodied in paintings
A still image photo -268 : A still image of embodied in paintings
A still image photo -345 : A still image of embodied in paintings
Still Image Photo: A still image of <In front of the bamboo forest> embodied in paintings
Still Image <In front of Bamboo Forest> Photo-142, A still image of <In front of Bamboo Forest> embodied in paintings : Painting <In front of the bamboo forest> overlapping the landscape image on the outside of the photo frame limited to the bamboo forest
Still Image <In front of Bamboo Forest a>
Still Image <In front of Bamboo Forest b>
Still Image <In front of Bamboo Forest c>
Still Image <In front of Bamboo Forest d>
Still Image <In front of Bamboo Forest e>
Still Image <In front of Bamboo Forest f>
Louis Chul-joo Choi, the bamboo forest d94, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest a75, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest a102, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest f86, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest a112, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest c91, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest d98, a hand-painted picture on a computer
Louis Chul-joo Choi, the bamboo forest b74, a hand-painted picture on a computer
The still image of <Bamboo Forest> embodied in paintings is a parody of existing bamboo photographs and is an inevitable formality that is conscious of the exact composition and light space calculated like Edgar Degas' photograph.
Realistically, the appearance of rain and wind encountered by chance is drawn as it is, showing the bamboo forest tailored to aesthetic time and the form of photographs that occur at that time. Unlike the media art <Bamboo>, in which bamboo forest photographs are drawn in dark blue, the picture image of the background overlapping on the front outside the limited photo frame of bamboo is <In front of Bamboo Forest>.
In media art, the meaning and effect of an image become the subject of the space with different temporality due to the time when the image does not affect the space within the surface area.
Therefore, the meaning and effect of the image that affects the space are the subjects of the space in that time.
The "bamboo forest," which paints the meaning and effect of images that affect space, is an image tailored to the perspective method copied from the photographic image. As a result, the aesthetic value of bamboo forests leaves traces with media art <In front of the Bamboo Forest>. The expression of the bamboo image reveals the relationship between the unstructured form hidden in the image as a non-existent picture and the subject of time.
The timeliness of <In front of the Bamboo Forest> is a picture of a virtual image drawn by creating a virtual space for media users and another time-based intervention, and the media art <In front of the Bamboo Forest> shows visual continuity.
This imprints the light and darkness of the bamboo overlapping the invisible bamboo forest, and objectifies the reality of the bamboo painting away from the picture.Here, the impression represents the relationship between the object of the image and the symbolic representation of the photograph, and the structuralist form of the bamboo as the object becomes an irrevocably stationary symbolic photograph. In a photo review of Kim Dae-soo's <Voice of the Bamboo>, Choi Chul-joo said that the structure of bamboo sounds is a structure that transforms sounds consisting of visual recognition and auditory photographic processes that "give life to the vertical line and intersect at an appropriate angle." However, bamboo paintings distort the meaning of bamboo photographs, which are identified differently from the similarities seen. This suggests that the picture and the picture do not existentially match.
Accordingly, an image in which a bamboo photograph of another shape and a realistic background photograph overlap should be drawn in the same manner as a media art still image photograph.
Choi Chul-joo's "In front of the Bamboo Forest" painting is metaphorical like the structure of language, so the meaning of one picture is not the same as the shape of bamboo, so it structures reality with unconscious pictures of non-existent rain and wind in another bamboo forest.
And he replaces the virtual image drawn by the subject of the bamboo forest with other media art and decorates the reality of the inner image of the bamboo forest. / Writing. Contemporary art critic Choi Chul-joo (Media Artist & Doctor of Cultural Design)
