미술평론가 최철주｜현대미술평론, 현대미술가평론, 현대미술작품평론 Contemporary artwork criticism and Modern Art Criticism [15] Contemporary Art Today Choi Chul-joo's Art Criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism example: Art criticism : Modern Art Today's Art Criticism & artist artwork criticism / Louis Chul-joo Choi, morning glory window 2024-8-Installing an image of a firm desire, 150X112cm, acrylic and composite materials on cloth, 2024
Louis Chul-joo Choi, morning glory window 2024-8-Installing an image of a firm desire, 150X112cm, acrylic and composite materials on cloth, 2024
확고한 욕망의 시선 이미지 설치
욕망 이미지의 설치는 언어적 대상의 표상을 실재화하여서 현전하지 않는 대상의 주관적 추상 이미지의 오류를 통해 마음에 있는 유의적 회화 이미지를 드러내는 것이다.
이것은 언어적 욕망 개념을 회화로서 모사(模寫)하여서 욕망으로 지각하는 표상을 실재 이미지로 디스플레이 한다. 즉 언어적 욕망을 그림 이미지로 표출하는 것은 T. S. 엘리엇(Eliot)처럼 객관적 상관관계를 지닌 실제 그림 이미지로서 욕망을 구현한다. 즉 욕망의 개념으로서 언어적 이미지를 추상화하지만 은유적으로는 그 개념의 실제 이미지로서 추상화한다.
실재 이미지는 존재 의미로서 대상을 관리하고 추상적으로 규정한다.
따라서 언어적 추상에서 실재 이미지로서 존재의 의미를 취한다. 그 의미를 실재로서 대상이 아닌 이미지로 존재를 보여서 대상의 주체를 초월한 추상성에서 실재화한다. 이렇게 존재는 현상적 시선으로 확고한 주체로서 대상의 일반화한다.
확고한 욕망의 이미지의 설치는 확고한 존재의 주체로서의 이미지의 설치이며, 이는 존재 욕망의 시선을 통해 보는 것이다.
실제 대상의 빛은 밝더라도 하늘의 빛에는 미치지 못하고 구름은 존재의 이미지의 설치에 따라 공간을 나눈다. 따라서 욕망의 대상에 영향을 주지 않는 형이상학을 가역적인 빛으로 거부함으로써 대상의 존재를 빛의 그림자를 통해 이미지로 인식한다.
그 이미지는 상상으로 한 지각된 실재 이미지가 무의식으로 욕망 개념으로 추상하여서 연출한다.
여기서 상상적 욕망이 언어적 인상 개념으로 추상적 조형 색조를 실재 이미지로 재구성하려고 의미 유형을 반복적으로 디자인하여서 객관적 상관물로서 실재의 외면을 현상한다.
이렇게 확고한 욕망의 시선 이미지는 실재의 외면으로 설치하여서 실재의 외면을 욕망 개념으로 실재의 상관물로서 추상하는 것이 최철주 욕망 개념 추상미술의 디자인 프로세스 다.
이것은 현상적 실재 이미지의 상관물로 역추상하기 때문에 사건이나 공연 이미지로 한 카툰만평으로서의 욕망을 해석하는 개념의 상관적 실재 이미지를 보이도록 욕망 개념의 이미지 디자인을 반복하여서 사건과 공연 이미지로 한 실재 이미지를 현상적 지각으로 그려서 그 이미지의 행위가 의도하는 생각속에서 상관적 이미지로 설치하여 보인다.
여기서 도출된 비시각적 이미지를 언어적 추상 만화평론으로 환원시키는 우연으로 작용한다. 이미지의 상징적 현상을 이미지의 의미를 상징하는 실재로 대체하는 이미지 상관성은 단일한 의미의 인과관계를 전제하는 것이 아니라 비실재성의 구조를 벗어난 추상적 개념과 실재의 상관관계로서 욕망의 개념과 연결되는 이미지로 귀결된다.
그 이미지는 타자의 욕망이 추상적 의미와 공간적 제한이 없는 욕망 개념으로서 실재와의 상관 관계가 있는 주체로 동일시 된다.
그 주체에 은폐된 미적 구조는 구름으로 구분되는 하늘이 대상의 음영 빛으로 추상 개념을 실재 이미지에 멈춰선다. 그리고 그 개념과의 상관적 실재 이미지를 음영으로 한 크기를 생략하고 빛으로 보이는 범위로 자리한다. 이것은 실재가 하나의 단상으로서 자리에 조응된 미적 가치를 가지며 그 자리를 풍습에 어울리는 보편적 실재의 색으로 대상을 꾸민다. 이것이 최철주의 욕망 개념 이미지 설치의 개념이다.
실재의 대상은 풍습에 존재한 언어적 의미에서 색으로 머물었던 형상에 지난 시간의 빛과 대비되는 그림자 공간을 타자의 욕망적 단상으로 구성한다. 그 단상은 욕망에 멈춘 형상을 갖추어 그 형상의 제자리에 존재했던 실재의 이미지를 보인다.
이미지가 하나의 욕망 이미지일 때 형상의 주체에 영향을 받지 않고 타인의 욕망에 따라 하나의 주체로서 시각적으로 추상화된다. 따라서 욕망 시선에 의해 재현되는 추상적 효과는 확고한 욕망의 시선 이미지가 설치됨에 따라 욕망 이미지가 중첩된 실제 이미지로부터의 추상화로 환원된다. / 글. 미술평론가 최철주 (추상화가 & 문화디자인박사)
Installing an image of a firm desire
The installation of the desire image is to reveal a significant painting image in the mind through an error in the subjective abstract image of an object that does not exist by realizing the representation of a linguistic object.
It simulates (模寫) the concept of linguistic desire as a painting and displays the representation perceived as desire as a real image. In other words, displaying linguistic desire as a painting image embodies desire as an actual painting image with an objective correlation, like T. S Eliot. In other words, it abstracts the linguistic image as a concept of desire, but metaphorically as a real image of the concept.
The real image manages and abstractly defines the object as the meaning of existence.
Therefore, in linguistic abstraction, the meaning of existence is taken as a real image. By showing existence as an image rather than an object as reality, it becomes a reality in abstraction that transcends the subject of the object. In this way, existence generalizes the object as a firm subject with a phenomenal gaze.
The installation of an image of firm desire is the installation of an image as a subject of firm existence, which is viewed through the gaze of the desire for existence.
Even if the actual object's light is bright, it does not reach the light in the sky, and the cloud divides the space according to the installation of the image of existence. Therefore, by rejecting metaphysics that do not affect the object of desire with reversible light, the existence of an object is recognized as an image through the shadow of light.
Here, imaginary desire is a linguistic impression concept, and the image of meaning is repeatedly designed to reconstruct the abstract formative color into a real image, and the outer surface of reality is developed as an objective correlation.
Louis Chul-joo Choi, morning glory window 2024-8-Installing an image of a firm desire, 150X112cm, acrylic and composite materials on cloth, 2024
The design process of Choi Chul-joo's concept of desire abstract art is to install such a firm gaze image as the outer surface of reality and abstract the outer surface of reality as a correlation of reality as a concept of desire.
Since this is reversely abstracted as a correlation of a phenomenal real image, the image design of the concept of desire is repeated to show the correlated real image of the concept of interpreting desire as a cartoon cartoon only as an event or performance image, and the real image as an event and performance image is drawn as a phenomenal perception and installed as a correlated image in the thought intended by the action of the image.
It acts as a coincidence to reduce the non-visual image derived from this to a linguistic abstraction cartoon review. Image correlation, which replaces the symbolic phenomenon of an image with a reality that symbolizes the meaning of the image, does not presuppose a causal relationship with a single meaning, but results in an image that is connected to the concept of desire as a correlation between an abstract concept that deviates from the structure of non-realism and reality.
Image is a concept of desire without abstract meaning and spatial constraints and grasps the desires of others as subjects related to reality.
In the aesthetic structure concealed by the subject, the sky divided by clouds is the shaded light of the object and stops the abstract concept in real life. And the size of the image of a correlated reality as a shade is omitted and it is positioned as a range that appears to be light. This is a place where reality has an aesthetic value adapted to the place as an image, and decorates the place with the colors of universal reality that fit the custom. This is Choi Chul-joo's concept of installing an image of desire.
The object of reality is a shape that has remained as a color in the linguistic sense that existed conventionally, and is composed of a single image of the desire of the other in contrast to the light of the past. The image shows the image of reality that existed in the original place of the image with a shape stopped by desire.
When an image is a desire image, it is not affected by the subject of the shape and is visually abstracted as a subject according to the desires of others. Therefore, the abstract effect reproduced by the desire gaze is reduced to abstraction from the actual image in which the desire image is superimposed as the gaze image of a firm desire is installed. / Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p116-1-Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-Bankers sent home as Deutsche starts slashing jobs> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p116-1-Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest-desire> becomes a non-real abstraction of reality.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p116-4-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids." 12, US President Trump says American films like 'Gone With the Wind' should win Academy Awards: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p116-4> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-Bankers sent home as Deutsche starts slashing jobs> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p116-4> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p116-2-"Trump Sex scandal Muzzling" Conviction: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
