현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [1/ 11~13] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Chul-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Art Design Review of Contemporary Art works [1] Abstract Artist Louis Choi Chuljoo Treacherous Conceptual Art Abstract Painting <Morning glory> Art Review & Conceptual Art Pop Art Abstract Painting Design / Contemporary art examples of Abstraction Review : Treacherous Contemporary Art Abstract Painter Louis Choi Chul-joo Pop Art Abstract Art Works & Art Reviews / 추상화 디자인 abstraction design: 개념미술 추상화 디자인18 < morning glory p15-3-2> 유명 현대 개념 설치 미술가, 현대미술 작가, 현대 추상미술 한국화가 작품 루이 최철주 뉴욕 전시 나팔꽃 포스터 팝아트 추상화 디자인 / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / Modern abstract artist Louis Chuljoo Choi's <morning glory> Exhibition in New York
New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.
현대미술 디자이너 최철주는 현대미술을 그의 욕망 공식을 통해서 추상화를 디자인한다.
최철주의 욕망 공식은 I/I(이미지)와 D/d(디자인)를 기호로 사용하여 디자인 이미지의 개수와 사건 및 공연 이미지를 연결하여 다항식의 욕망 이미지를 생성하는 곱셈 공식이다. 기호로서의 이미지의 언어적 의미는 욕망의 추상적 개념을 식별하고자 하는 욕망 개념의 이미지(I/i)이다.
추상화가로서 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다. 이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 사실적 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.
Louis Choi Chul-joo, morning glory p15-3-2, a hand-painted picture on a computer
<morning glory p15-3-2>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.
뉴욕(Yeomyeong Hall)에서 한국 화가 & 팝 아티스트 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 <나팔꽃>을 기호화한 현대 추상화다.
비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시/ morning glory p15-3-2)는 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 이미지의 오브제ɑ를 보인다. 그 오브제ɑ 는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(morning glory p15-3-2)는 병아리가 타자의 욕망을 공용이 화석된 긴 시간성에 감추어진 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 전시 포스터 형상의 실제 변화된 움직임에 의해 가려지는 추상의 의미 즉 오브제ɑ를 말한다.
여기서 추상의 의미가 각기 다른 이미지들을 다른 시점에서 그려서 한 화면에 집결시켜서 투시법에서 어긋나는 혁명적인 그림의 형식을 구성한 것이 라캉적 추상화 디자인 방식이다. 이것은 낭만주의 화가들이 그림을 그렸던 방식의 매너리즘을 거부한 새로운 시도다. 즉 낭만주의 회화에서 투사된 빛의 피사체의 자리를 존재의 자리로 한 가역적 빛의 음영으로 <나팔꽃> 추상화로 근대미술과의 결별하면서 현대미술의 새로운 양식을 추구한다.
추상의 의미가 각기 다른 이미지들을 다른 시점에서 그려서 한 화면에 집결시켜서 투시법에서 어긋나는 혁명적인 그림의 형식을 구성한 것이 라캉적 추상화 디자인 방식이다. 이것은 낭만주의 화가들이 그림을 그렸던 방식의 매너리즘을 거부한 새로운 시도다. 즉 낭만주의 회화에서 투사된 빛의 피사체의 자리를 존재의 자리로 한 가역적 빛의 음영으로 <나팔꽃> 추상화로 근대미술과의 결별하면서 현대미술의 새로운 양식을 추구한다. / 현대미술 최철주 <나팔꽃> 추상화 해석
현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 Yeomyeong Hall 전시/ Louis Choi Chul-joo,
morning glory p15-3, a hand-painted picture on a computer
개념 미술로 한 <morning glory p15-3>은 전시 포스터 이미지로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다.
이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다.
이것은 보는 관점에 따라 실재와 비실재에 대한 예술론적 담론이 이어지고 있다. 실재와 비실재가 오브제를 재현하는 가시적 이미지로서 선택할 수 없으며 오브제를 실제의 이미지를 표현하는 회화적 이미지는 비실재로서의 이미지로 규명되었다. 따라서 오브제에서 실재를 찾는 방법은 라캉의 오브제ɑ와 유사한 가역적 빛의 음영으로 한 왜상적 이미지로서의 <나팔꽃> 추상화로 드러내는 것이다.
이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다. 그 존재는 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 이미지로서 <나팔꽃> 전시 포스터 이미지다. 이것은 개념을 설치 미술로 추상화 한다.
추상화로서 물리적 실재를 드러내고자 함은 사실적인 실재로서 오브제를 ‘응시’하게 하여서 사실적인 실재는 분명한 추상화된 물리적 구조에서 나온다. 그 추상의 구조적 물리성은 입체적 형태에서 여러 개의 단면을 갖고 있다. 피카소처럼 동일한 시간에 다 시점으로 여인을 그려낸 것과 같이 가역적 빛의 음영으로 여러개의 원근법적으로 한 개의 단면과 두 개의 측면을 하나의 시점에서 오브제를 사실적으로 그린다.
이것은 사실적 구조로 한 비사실적 공간을 이루고 추상화된 형태적 구조의 다면적 복합성을 보인다.
여기서 추상화된 형태는 의식적 차원의 공간에서 타자가 보는 것이 오브제이며, 욕망적 원인으로 타자에게 응시로 보이는 얼룩이 왜상적 이미지로서 오브제ɑ이다. 이것은 전체 이미지에서 라캉적 추상화 디자인을 통과한 존재적 오브제ɑ가 형성되면서 그 전체 이미지에 가역적 빛의 음영에 타자의 무의식과 동일한 이미지가 은폐한다.
Chul-joo Choi’, "Grand Prize at the 35th Golden Disc Awards-5", a hand-painted picture on a computer
추상화 의미의 현상적 자리를 전시 포스터로 대신한 라캉적 개념미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다. 이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.
그 의미는 타자의 욕망<morning glory p15-3> 를 모방한 꽃을 상징하는 기호적 언어로 <나팔꽃>에 추상된 형태적 구조의 다면적 공간이 복합성으로 구성된 이미지로 디자인된다.
Louis Choi Chul-joo, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021
현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 Yeomyeong Hall 전시/ Louis Chul-joo Choi, morning glory p15-3, a hand-painted picture on a computer
현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕전시/ Louis Choi Chul-joo, morning glory p15-3-1
, a hand-painted picture on a computer
실제적 <나팔꽃> 형상과 응시적 형상에서 주제에 어울리는 피상(皮相)적 면으로 이미지를 표상한다. 여기서 풍습의 변화 대상으로 그림을 그리는 것은 하나의 대상으로 보이는 또 다른 이미지다. 그것은 공간에서 보이지 않는 작은 조각으로 그려진 대상의 물질로 감추어지고 사라진다. 그 대상의 작은 조각은 단색화 하여서 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 공간을 보인다. 이것은 추상화된 형태적 구조가 다면적 복합성을 이룬 형상의 의미를 가리키며, 그 작은 대상은 실제 가역할 수 있는 <나팔꽃> 공간을 정의하고 형상의 실제 변화된 움직임에 의해 가려지는 형상의 의미를 가리킨다.
형상적 의미를 가리키는 추상화에서의 라캉적 전체 이미지는 비실재와 실재에서 분리된 또 다른 실재로서의 오브제ɑ가 어떻게 드러나는 지를 보여주는 것이다. 그 추상화에서 원근법적 시각체계로 보이는 이미지와 함께 얼룩 이미지 즉 원근법을 역전시킨 왜상적 이미지로 보인다.
현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕전시/ Louis Choi Chul-joo, morning glory p15-3, a hand-painted picture on a computer
배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 카툰 만평 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 카툰 만평 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.
Abstract painting as a precarious conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, abstraction is drawn through reversible light shading that interprets others' abstract desires as cartoon rib images. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 Yeomyeong Hall 전시/ Louis Choi Chul-joo,
morning glory p15-3, a hand-painted picture on a computer
<나팔꽃 p15-3>은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 여기서 라캉적 회화는 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 회화성을 말한다. (ACN ・ 2022. 4. 20. / 유아로서 병아리가 본 타자의 욕망 <나팔꽃> New York Exhibition 뉴욕 전시 도슨트1)
라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <Grand Prize at the 35th Golden Disc Awards-5>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <morning glory p15-3>을 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 현상적 개념적 자리를 정하여 <morning glory p15-3-2>로 추상화 한다. 이것은 루이 최철주 뉴욕 전시에서의 포스터로 전이 하여서 라캉적 오브제를 실제화함에 따라 포스터가 아닌 비실재의 사실적 추상화가 된다.
실재와 비실재가 오브제를 재현하는 가시적 이미지로서 선택할 수 없으며 오브제를 실제의 이미지를 표현하는 회화적 이미지는 비실재로서의 이미지로 규명되었다. 따라서 오브제에서 실재를 찾는 방법이 라캉의 오브제ɑ와 타자의 욕망이 존재헸던 자리를 가역적 빛의 음영으로 투사한 왜상적 이미지다.
라캉의 오브제ɑ는 스크린적 이미지로서 빛이 드러나는 점에서 응시로써 보인다. 여기서의 빛은 가상적 이미지를 조명하는 것으로 상인 기표(signifier)와 다른 이미지의 상을 라캉적 실재의 동일한 기표로 추상화하여 보이는 은유로써의 존재의 의미를 표상한다.
의미를 표상하는 회화에서 언어적 표현도 은유성을 띠지만 그것이 비재현적 이미지라고 가정할 때 실재는 상사적으로 실재를 재현한 가상적 이미지에서 존재한다.
거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 동일시하는 상상계에서부터 시작된다.
회화적 의미가 추상화되어서 주체로써 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로 전이한다. 여기서 추상화로서의 상징적 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다.
실재로서 추상적 이미지는 왜상적 이미지로 드러나지만 비실재로서 실재 이미지와의 어긋난 만남이다.
실재외 비실재의 어긋난 만남으로 이룬 추상화에서 라캉적 시라니오 이미지는 순간적으로 응시하는 이미지에서 기표 이미지가 연쇄화 하여 순간적 이미지를 형상화 한다.
이것은 타자의 시선과 타자의 무의식에서 드러난 욕망적 이미지와의 동일시를 통해 라캉의 오브제ɑ가 표출된다. 이때에 이미지들은 분리된 전체 이미지로서의 추상화에서 기의 적 의미가 결합한다.
이것은 무의식적 타자의 욕망으로 드러낸 존재로서의 비실재의 이미지와 타자의 무의식적 욕망에서 드러난 실재의 추상화 이미지가 동일시된 것이다. / 글. 미술평론가 최철주 (추상 화가 & 문화디자인박사)
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Contemporary art designer Louis Choi
Contemporary art designer Louis Choi Chul-joo art work 11
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [11] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism = Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism: Louis Choi Chul-joo <morning glory outside the window 2023-6-2>
Contemporary Art Designer Louis, morning glory p107, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.
Choi Chul-joo, a contemporary art designer, designs contemporary art abstractions through his desire formula.
Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire.
As an abstract artist, Choi Chul-joo's contemporary conceptual art is an abstract art that abstracts the concept of real formability and reversible shadow of light as unrealistic beings according to the desires of others. This is an abstraction of the other's desire to replace the real place, that is, the other's desire to represent the real place.
Contemporary art designer Choi Chul-joo's contemporary art movement, which presents a realistic methodology of abstraction using the concept of desire as contemporary art as a symbolic symbol of contemporary art, will be created in Busan (Haeundae-gu Office Gallery) by "Painting Installation Performance Design", which composes the poster abstraction design as a conceptual image of desire, 20230703 Haeundae-gu Office Gallery, Busan.
현대미술 상징적 기호로서 추상화에 욕망 개념을 현대미술로 한 사실적 추상화의 방법론을 제시하는 현대미술 디자이너 최철주의 현대 미술 운동을 부산(해운대구청 갤러리)에서 그 포스터 추상화 디자인을 욕망 개념 이미지로 구성하는 "Painting Installation Performance"를 통해 현대미술 추상화을 디자인한 을 생성한다.
개념 미술로 한 전시 포스터 의미로서의 욕망 개념의 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 문화 디자인 이미지다.
이것은 회화에서 문화디자인 박사 최철주의 욕망 개념 추상이론에 따른 디자인 작품 <나팔꽃>이라는 일관된 의미로 보이는 디자인은 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 형상의 추상적 존재로서 디자인된 비실재하는 사실적 이미지이기 때문이다.
Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023
According to Choi Chul-joo's abstract art desire formula <D(I...I')d=I(D...D'i)i>, Choi Chul-joo's desire formula <D(I'...I'd)d=I'i> replaces the original target image (I/I') with the object of desire as another target image (I/I', and the sculpture is formed as a concept of desire transmitted as meaning (d) in the rendering of the dwarf image.
■ Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p55-3-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire,
mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.
Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.
Louis, morning glory p107-3, a hand-painted picture on a computer, 2023
is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.
In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.
Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023
The object , which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".
Louis Choi Chul-joo's contemporary art movement, which presents a methodology of realistic abstraction using the concept of desire as a modern art for abstraction, creates abstraction of the concept of desire through a "picture installation performance" that composes abstraction as an image of desire as another image of desire at Haeundae-gu Office Gallery in Busan.
Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023
The abstract area of painting in which the specific effect of the desire abstract image occurs as an exhibition poster meaning of "morning glory 6-1" as conceptual art is an image that can momentarily see the desire of others functioning gazefully in the landscape.
This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure is an abstraction of non-realistic realistic form with the same meaning as a realistic structure, but abstraction as the same meaning with different shapes is a real non-realistic being with different colors and sizes..
Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-1-drama>
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-2-riot>
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-3-disaster>
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-4-war>
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-5-international trade>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-7-BREXIT>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-1-2-Exchange rates and securities>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-1-3-musical performance>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-2-drama>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-3-TV music performance>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-5-music performance>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-6-Disaster>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-7-music performance>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-8-music performance>
2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-11-abnormal temperature phenomenon>
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-1-Dance>
Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023
In the mechanical diagram of a perspective visual system that reproduces abstract image as an object as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.
As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.
Abstract painting repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.
In , there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.
Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.
The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space
It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.
It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-2-music performance>
In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.
In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.
As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.
It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.
In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)
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Contemporary art designer Louis Choi
Contemporary art designer Louis Choi Chul-joo art work 12
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [12] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [13] contemporary abstract art movement examples / The Story of Contemporary Art: Contemporary Art movement Review: Modern Art Works Desireful Concepts Art Abstraction: Louis Choi Chul-joo's 2022 New York Exhibition Poster Abstraction 100
Louis Choi Chul-joo's "morning glory" is painted on a cloth that reflects the image on the back as an image generated from a crooked image that means the substance of the morning glory.
Louis Choi Chul-joo <morning glory> is an abstract thread painting depicting the concept of desire drawn on a fabric whose back side is reflected by hand using images created as anamorphosis, which means the reality of morning glory.
On March 1, 2022, at Flushing Town Hall in New York and at Yeomyeong Hall in New York on March 8, 2022, Louis Choi Chul-joo's "morning glory" exhibition in New York completed 100 posters of New York by visualizing the progress and results of depicting the imagination of other people's desires and objects of existence while facing the artistic notion of desire conceptual art in preparation, and the final abstract work "morning glory 2022 p-100" is displayed in the New York exhibition.
Here, by producing painting and poster abstraction of contemporary art works using the same conceptual art, Louis Choi Chul-joo's solo exhibition works were presented as modern art abstract paintings symbolizing the exhibition image of paintings. In other words, it referred to the concept of posters as modern art abstract painting as immaterial visual effects. This is the same conceptual art abstraction as <morning glory> by visualizing another painting and poster in the place after setting a place for one exhibition space.
A review of contemporary art works <morning glory> on the exhibition of contemporary art poster by contemporary art critic and contemporary artist Louis, 20220301~20220308 Flushing Town Hall, New York.
Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트/ 루이 최철주)
As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.
(Choi Chul-joo's Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Louis Choi Chul-joo <morning glory> Conceptual Art Abstract Painting in 2022 New York Exhibition: abstraction <morning glory poster 100-12> : ■ news cartoon of Choi Chul-joo’s cartoon news/ A hand-painted picture by Choi Chul-joo on a computer & webtoon news cartoon design works by cartoon designer Choi Chul-joo ■ In <Choi Chul-joo's Morning glory>, Lacan's art theory is formalized by connecting images with abstract paintings and converting them into meanings. This means that other people's desires are expressed in paintings by repeatedly applying Lacan's imagination and formula, and as a result of applying Lacan art theory to paintings, other people's desires for abstract formative beauty gain the value to approach. ■ <Choi Chul-joo's Morning glory> is the spatial background of the desires of others, not the subject. It is the same as a space of life as consistent as the sky. It is connected to cartoon review and Pop Art, which represent the space of life but do not criticize and judge, and reproduces reality as news with pictures of events. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured in the shade of reversible light and exemplified as a realistic abstraction of treacherous conceptual art. ■ Louis Choi Chul-joo's Process, Definition & Shape Meaning of Thread Painting: The process of creating a thread is to design a set presence in a place where paint spreads from a set object, an object that relies on instantaneous agreement, to embroider the image into a thread, to enlarge the place of the cloth by drawing a picture of a combined image or flat shape. The morning glory is the location where the flower blooms, where leaves and stems are formed according to their shape, and where the stem is aligned with the flower as a composition of the flower.
This is realized without an explanation of the atmosphere in media art and painting, where a real picture is created in the process of producing the mechanically reproduced prototype of media art in response to the needs of others. In addition, he said in thread painting, "The structure of the form is a structure of pictorial thread painting in which the formative meaning is retroactive as a series of threads become a formative structure without explaining the object of the thread that formed the shape." The color of the structure gives a distance of time, so that it is regarded as a formative structure of a faded original structure without marking it, showing the aesthetic value hidden as seen.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire,
mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
Contemporary art works Media Art<morning glory> on the exhibition of contemporary art poster by contemporary art and contemporary artist Louis Choi Chuljoo, 20220301~20220308 Flushing Town Hall, New Yor
Louis Chul-joo Choi, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021
Modern Art Critic and Conceptual Artist Choi Chul-joo's Modern Conceptual Art is the concept of early conceptual art and is the return of painting. In other words, because it is a conceptual art created by a painting work, his contemporary conceptual art criticizes phenomenal images such as current events and mentions the meaningful value of painting.
This combines the life value of critical perspective and cartoonization with scene photography of events, which goes beyond mathematical and philosophically meaningful linguistic interpretations, and combines the life value of critical perspective and desire with satirical photo image of events. Here, desire abstraction means a conversational personality that can immediately recognize the rational perception of the other person's desire rather than an arbitrary philosophy.
Louis Choi Chul-joo <morning glory> Conceptual Art Abstract Painting in 2022 New York Exhibition: abstraction <morning glory poster 100>
Choi Chul-joo, a contemporary art designer, designs contemporary art abstractions through his desire formula.
Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire.
As an abstract artist, Choi Chul-joo's contemporary conceptual art is an abstract art that abstracts the concept of real formability and reversible shadow of light as unrealistic beings according to the desires of others. This is an abstraction of the other's desire to replace the real place, that is, the other's desire to represent the real place.
현대 개념미술 미술가 작품 : Louis Choi Chul-joo, morning glory-2022 p100, a hand-painted picture on a computer / <나팔꽃>을 개념 미술가 작품으로 재해석한 현대미술 추상화
현대미술 디자이너 최철주는 현대미술을 그의 욕망 공식을 통해서 추상화를 디자인한다.
최철주의 욕망 공식은 I/I(이미지)와 D/d(디자인)를 기호로 사용하여 디자인 이미지의 개수와 사건 및 공연 이미지를 연결하여 다항식의 욕망 이미지를 생성하는 곱셈 공식이다. 기호로서의 이미지의 언어적 의미는 욕망의 추상적 개념을 식별하고자 하는 욕망 개념의 이미지(I/i)이다.
추상화가로서 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다. 이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 사실적 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.
개념적 의미 구조로서 형상 이미지: 이미지를 오브제로 디자인한 욕망 배경 나팔꽃 포스터 <morning glory poster 100>은 비실재의 개념미술 이미지 화폭에 갈색으로 연쇄하여서 실재 나팔꽃의 실재 개념미술 이미지다.
이것은 <morning glory 2022-p100>을 가역적 음영으로 중첩하여서 전이한 <morning glory>를 의미하며 비실재의 사실적 이미지를 가역적 <빛>으로서 왜상(anamorphosis)적 이미지로 수작업으로 그리진 욕망 배경 나팔꽃 추상화다.
그 추상화의 형상은 현대미술 추상화 작품의 디자인 컨셉으로 한 <morning glory 2021 k-1>에 <morning glory 2022 p100>을 중첩해 그려서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지로서 욕망 개념미술 추상화로 전이하는 창문을 통해 비친 <morning glory 2021 k-1>에 알 수 없는 가역적 빛을 중첩하여서 <morning glory 2022 p100>로 추상화 한다.
* <빛 > : 알 수 없는 가역적 빛의 음영적 형상
현대 미술평론가 & 개념미술가 최철주의 현대 개념미술은 초기 개념미술의 개념으로 한 회화성의 복귀다.
즉 회화 작품으로 생성하는 개념미술이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 비실재의 사실적 이미지< morning glory 2021 k-1>의 의미적 가치를 말한다.
그리고 비실재의 추상적 이미지<morning glory 2021 k-1>에 <알 수 없는 가역적 빛의 형상>을 중첩하여서 <morning glory 2020 p100>으로 추상화 한다.
이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 여기서 라캉적 회화는 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 회화성을 말한다. (ACN ・ 2022. 4. 20. / 유아로서 병아리가 본 타자의 욕망 <나팔꽃> New York Exhibition 뉴욕 전시 도슨트1)
이성적 지각할 수 있는 회화성에서 시간성에 따른 왜상적 배경을 타자의 욕망으로 경험할 수 있도록 나팔꽃 형상의 틀을 객관적 실재와 표상적 개념미술과는 차이가 있다. 그 오브제는 상징계에서 전이된 실재에서 분리된 오브제ɑ를 실재로 하고 있기 때문이다.
따라서 욕망 개념미술 추상화로 전이할 수 있도록 가역적 빛을 투입하는 투입구로서 창문을 추가한다.
그러나 그 창문을 통해서 조명된 <morning glory>는 창문 단계를 넘어간다.
욕망적 회화 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트:
라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상화 작품으로서 <morning glory 2021 k-1> 이미지에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 틀로서의 창문 단계를 넘어서 <morning glory 포스터100>으로 전이한다. (ACN 2022.10.05. 최철주 라캉적 회화 디자인방법론 해석)
상상계의 비실재는 언어적 은유 이미지를 단색으로 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 현상적 개념적 자리를 정하는 <morning glory 포스터>로 추상화 한다.
이것은 루이 최철주 뉴욕 전시에서의 최초의 비사실적 추상화 포스터로 전이 하여서 라캉적 오브제를 실재화하여서 최철주 욕망 개념 추상미술이론을 통해서 욕망 공식 <D(I...I')d=I(D...D'i)i>으로 전이한다. 그리고 창문에 비친 가역적 빛의 음영으로 전이된 포스터가 실재의 비사실적 추상화가 된다.
나팔꽃 포스터를 스토리보드로 한 공간에서 현대미술 디자이너 루이 최철주와 라캉의 미술 이론을 발견하고, 최철주의 욕망 공식을 구현하여 그 자리에서 욕망의 개념을 추상화하고 포스터 100을 추상화로 전이한 / Modern art designer Louis Choi Chul-joo and Lacan's art theory were found in the space with morning glory 100 posters as a storyboard, and Choi Chul-joo's desire formula was embodied to abstract the concept of desire in the place, and the poster was transferred to abstract painting
현대 개념미술 추상화 작품: 루이 최철주 뉴욕 전시 나팔꽃 포스터 100
루이 최철주 뉴욕 전시에서 포스터 이미지에 의미가 미출현하는 라캉의 환상공식(＄◇ɑ)의 소쉬르 연산식에 대입하여서 <나팔꽃>이 상상하는 타자의 욕망을 쾌락과 성적충동의 만족(Jouissance)과 함께 배경의 또 다른 나팔꽃을 잡으려는 빗금친 기의(s(ɑ/))에서 분열된 주체(＄◇D)는 거세(castration)에 도달한다. 이것은 시각체계에서 보이는 나팔꽃이 상상하는 비일관성을 음영으로 은폐한 나팔꽃을 스크린으로 한 이미지를 보인다.(ACN ・ 2021. 12. 29. 0:01 라캉의 환상공식(＄◇ɑ)
그 이미지의 환유는 기표이미지와 기표이미지의 구조를 연결하여서 반복하여 왜상적 이미지 즉 결핍된 형상에 대한 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 타자의 욕망이 등장시킨다. 이것은 라캉의 욕망그래프에서 소쉬르의 연산식(의미의 미출현)과 동일하다.
여기서 라캉의 환유공식 f(S...S')S=˜ S (-)s 을 <morning glory 2021 k-1>에 대입하면 기표이미지로서 나팔꽃과 또 다른 기표이미지로 정하고 그림자속에 왜상적 오브제ɑ로 음영화한다. 여기서 닭을 타자의 욕망으로서의 의미를 막대기(-)의 유지와 <morning glory 2022 p100>과 합동(=˜ ) 한다.
합동한 <morning glory 2022 p100>에서 타자의 욕망 의미가 미출현하는 라캉의 환상공식(＄◇ɑ)의 소쉬르 연산식에 대입하여서 타자의 욕망을 쾌락과 성적충동의 만족(Jouissance)과 함께 욕망을 잡으려는 빗금친 기의(s(ɑ/))에서 분열된 주체(＄◇D)는 거세(castration)에 도달한다.
라캉의 환상공식에 소쉬르의 연산식을 실재에 대입하여서 비일관된 실재의 이미지로서의 주체는 타자의 욕망으로 한 기의에서 거세된다. 그리고 라캉의 환상공식을 통해 주체를 잃어버린 그 이미지는 가역적 빛으로서 일관되고 의미 있는 형상이 선 존재한 공간을 구성하는 자리를 제공하는 또 다른 실재의 기의적 효과(오브제ɑ)로 살아난다. (ACN ・ 2022. 10. 01 22:29 라캉 환상공식 최철주 회화적 해석)
여기서 실재의 효과에서의 기의적 의미작용은 초월적 기표로서 시니피앙(Signifiant)의 의해 새로운 주체를 받아드림으로써 상징성을 띤다. 그 시니피앙은 새로운 주체를 받아드리기 위해 절단한다.
추상화<morning glory 2022 p100>에서 회화적 절단은 단색화 하거나 무채색으로 가역적 빛의 음영적 구조를 생성하고 그렇게 절단된 주체는 표상하는 형상으로 고착된다.
이것은 보이지 않는 실재로서의 오브제ɑ다. 그것은 상징계에서 보이는 은유의 형태적 기표가 상징적 의미의 기의로 전이된다.
따라서 회화에서 실체적 형상인 기표로서 형상의 실체는 사라지고 허상적 상징의 기의로서의 환유적으로 고착된다. 그 기의는 화가의 욕망으로 실체화된 형상적 의미 즉 이미지를 기호적인 추상 형상화 하는 라캉적 개념미술의 과정을 통해서 자리바꿈한 추상화 다.
라캉적 개념미술의 과정은 거울이론을 통해 유아가 드러내는 실재를 거울에 비친 기표적 이미지와 동일시하는 상상계에서부터 시작된다.
회화에서 주체로서 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 그림은 상징계로 전이한다.
여기서 상징적 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 그 그림은 실재로서 기표적 이미지가 왜상적 이미지로 드러나지만 순간적 응시로서 오브제ɑ는 비실재와의 어긋난 만남을 이룬다. (ACN 2022. 10. 04 오브제ɑ 최철주 해석)
그 어긋남 만남은 실재가 연쇄적으로 부재에서 부재로 계속되는 드러나지 않는 은폐를 통해 상징성과 실재성은 불일치함을 연출한다.
이것은 거울에 비친 으브제가 실재가 된다면 그 오브제가 상징성에서 실재성으로 전이된 공간은 거울 밖에선 보이지 않는 실재로서의 상징성이 비실재화된다. 이때에 오브제는 존재했던 공간의 상징성을 잃고 상징성에서 실재화된 오브제는 존재했던 공간의 실재성이 소멸된다. 그것은 라캉적 개념미술 회화에서 비실재의 사실적 이미지가 추상되는 것과 동일하다.
따라서 라캉적 개념미술 추상화는 원근법적 시각체계의 기학적 도식에서는 은폐하고 있으며, 무의식에서 드러난 욕망적 관점의 응시로써 순간적으로 드러낸다.
그것은 실재성에서 벗어나 추상성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 순간적으로 응시할 수 있게 그 욕망의 대상이 멈춘 이미지를 구별해서 추상했기 때문이다. / 글. 문화디자인평론가 최철주 (현대미술디자이너 & 문화디자인박사)
Louis Choi Chul-joo morning glory New York exhibition poster abstract painting100
Poster Abstraction 100: Korean Painter & Abstract Artist Louis Choi Chul-joo's <morning glory> 2022 New York Exhibition Poster Abstraction 100 Media Art, which visualizes the progress and results of depicting the imagination of desire and the object of existence while facing the artistic notion of desire conceptual art.
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현대미술 디자이너 루이 최철주의 포스터 추상화<나팔꽃> 디자인
포스터 추상화<나팔꽃> 디자인 작품: poster 02
포스터 추상화<나팔꽃> 디자인 작품: poster 5
포스터 추상화<나팔꽃> 디자인 작품: poster 8
포스터 추상화<나팔꽃> 디자인 작품: poster 14
포스터 추상화<나팔꽃> 디자인 작품: poster 16
포스터 추상화<나팔꽃> 디자인 작품: poster 18
포스터 추상화<나팔꽃> 디자인 작품: poster 22
포스터 추상화<나팔꽃> 디자인 작품: poster 23
포스터 추상화<나팔꽃> 디자인 작품: poster 24
포스터 추상화<나팔꽃> 디자인 작품: poster 25
포스터 추상화<나팔꽃> 디자인 작품: poster 26
포스터 추상화<나팔꽃> 디자인 작품: poster 28
포스터 추상화<나팔꽃> 디자인 작품: poster 30
포스터 추상화<나팔꽃> 디자인 작품: poster 31
포스터 추상화<나팔꽃> 디자인 작품: poster 34
포스터 추상화<나팔꽃> 디자인 작품: poster 35
포스터 추상화<나팔꽃> 디자인 작품: poster 37
포스터 추상화<나팔꽃> 디자인 작품: poster 39
포스터 추상화<나팔꽃> 디자인 작품: poster 39
포스터 추상화<나팔꽃> 디자인 작품: poster 40
포스터 추상화<나팔꽃> 디자인 작품: poster 41
포스터 추상화<나팔꽃> 디자인 작품: poster 42
포스터 추상화<나팔꽃> 디자인 작품: poster 48
포스터 추상화<나팔꽃> 디자인 작품: poster 49
포스터 추상화<나팔꽃> 디자인 작품: poster 55
포스터 추상화<나팔꽃> 디자인 작품: poster 69
포스터 추상화<나팔꽃> 디자인 작품: poster 71
포스터 추상화<나팔꽃> 디자인 작품: poster 77
포스터 추상화<나팔꽃> 디자인 작품: poster 97
포스터 추상화<나팔꽃> 디자인 작품: poster 99
포스터 추상화<나팔꽃> 디자인 작품: poster 100
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Contemporary art designer Louis Choi
Contemporary art designer Louis Choi Chul-joo art work 13
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [13] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism:Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory p26-2>
개념만평으로 한 욕망적 형상이 실재와의 어긋난 만남으로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상을 보인다. 그 형상은 추상적 음영으로 생성된 타자의 욕망이 선택한 실제의 구조와의 교차점이다.
이것은 비실재의 사실적 구조로 한 전체의 실제 형상과 가역적 빛의 음영으로 디자인한 타자의 욕망이 응시로 보이는 교차점에 순간적으로 추상화된 형상이다.
그 응시로서 시니피앙은 새로운 주체를 받아드리기 위해 절단한다. 이렇게 절단된 주체는 표상하는 형상으로 고착된다. 회화 속에서 거울에 비친 공간은 가역적 빛으로 한 회화의 음영에서 드러난 물리적 공간 속에 또 하나의 공간 즉 회화의 전체 장면을 보는 시점에서 볼 수 없는 ‘응시’로써 보이는 실재이다. 이러한 응시로써 보이는 실재를 재현하기 위해 그림에 화가는 거울을 소재로 사용한다.
동일한 평면에서 표현할 수 없는 개념만평 <MONSTA X's "Let me be your fantasy" 5>의 왜상적 이미지를 가상적으로 재현한 응시적 이미지와 유사하거나 그 이미지와의 연관성으로 한 큐비즘으로 실재의 자리를 대리한 것처럼 추상적 전시 포스터의 가상성을 큐비즘적 이미지에 맞춘 조각들을 개념만평으로 구조화 한다. 여기서 타자의 욕망으로 한 개념만평 오브제는 분명히 거울에 비쳐진 오브제로 드러나지 않고 은폐되었으며 거울에 드러난 또 다른 오브제를 봄으로써 그림을 보는 자의 실재는 부재한다. 다만 그 그림을 그린 이가 타자를 대신한다.
타자를 대신하는 라캉의 응시로써 드러난 자리는 전체의 가상적 이미지에서의 소실점에 등장한 피사체의 위치 즉 atopia 다.
따라서 그 피사체의 주체가 타자의 욕망적 관점에서 응시로써 드러낸 오브제 즉 실재로서 <나팔꽃 p26-2>는 실재와 비실재의 이미지를 동일한 공간에서 개념을 추상한다.
피사체를 개념하는 큐비즘에서 팝아트적 공간으로써 물리적 실재를 드러내고자 함은 사실적인 실재로서 오브제를 ‘응시’하게 한다. 그리고 사실적인 실재를 분명한 물리적 구조에서 출현한다. 그 구조적 물리성은 입체적 형태에서 여러 개의 단면을 갖고서 개념적 팝아트 한국화에서 한 개의 단면과 두 개의 측면을 하나의 개념에서의 오브제로 형태적 구조의 다면적 개념성을 포치한다. / 글. 현대미술평론가 최철주 (현대미술디자이너 & 문화디자인박사)
Louis Choi Chul-joo's treacherous conceptual art abstraction ■ It is treacherous to conceptual art that fits the conceptual form to lines and colors. ■ In Choi Chul-joo's abstraction design process/abstract painting "morning glory", desire concept's art theory is formalized to convert the news cartoon image into the signified image by linking Choi Chul-joo's desire art theory to the abstraction.
This has the meaning of expressing the other's desires in painting by repeatedly applying the imaginary world and Choi Chul-joo's desire formula,
The image generated here is the shape of the desire concept image in which the entire subject appears as light in a certain direction at the intersection with a distorted gaze except for the drawing that is fixed to the subject's face.
As a result of applying the abstract art theory of the concept of Choi Chul-joo's desire to the shape, the desires of the other approach the formative beauty. This is because the other's desire is in the light hidden in the sky, but the subject's place is on the ground. Therefore, if the sky and the ground without a shape are real, the structure of realistic desire is an existential abstract that realistically depicts the scene of an event that existed in the past time.
"morning glory", created as a reversible shade of light as a representative of the abstraction, is a form of a background image determined as a structure of desire as an event scene and a art performance image in the time. It acquires aesthetic value as an abstract image of realistic non-realism that makes the image recognize the existence of the concept of desire.
■Choi Chul-joo "morning glory window" is not the subject of the object, but the spatial background of the desires of the other. It creates a non-real cloud and hides the shadow of reality through white without a color tone that matches the reality of reversible light and hides the reality of that light.
As a frame for the shadow, the window illuminates the hue of reality through a reversible shadow so that you can see the hidden pattern in the shadow and recognizes the shape of the reality as a being.
Looking at the form as a being is the same as looking at a consistent space of life like the sky. It connects with the cartoon review of the news that represents the space of life, but does not criticize and judge, but structures the reality of the object symbolizing reality through the picture of the event into a treacherous conceptual art, and abstracts the concept realistically like historical painting.
(The treacherous conceptual art theory of Choi Chul-joo's art abstraction / ACN · December 24, 2022, 17:11)
Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis, morning glory p26-2-1, a hand-painted picture on a computer, 2022
Treacherous Conceptual Art Green Louis Choi Chul-joo <morning glory> Art Criticism
To reveal the subject of desire is to reveal the object of the concept of the image of desire as a deficient subject. This is a of structure of the visible object deficiency realistically reconstructed in the form of the other's desires in the abstraction "morning glory"
<morning glory window> constitutes a frame that reveals the image of the subject representing the lack of desire cencept in the subject, and creates an object in the shade of reversible light in the frame to choose reality as a subject away from non-existence.
This is the physical structure of desire that results in a realistic existence. The structure has each cross section in a three-dimensional form in several frames, and abstracts the pictorial image as a conceptual art of desire into a multi-faceted image of a semantic structure as an object in a single concept. (ACN, June 22, 2023, 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Conceptual Art Theory)
<morning glory p26-2-1> is an object of desire concept images drawn on the form of overlapping cloth with threads reflected on the back by manually creating images created as an anamorphosis image, which means the reality of morning glory.
In 2022 New York (Flushing Town Hall & Yeomyeong Hall), Korean painter & pop art abstract artist Louis's <morning glory> is a modern art abstraction that produces a poster with a contemporary art design concept as a desire cencept structure and symbolizes the design of the desire shape, that is, the exhibition poster image of the painting.
The object (26-2-1 Louis Choi Chul-joo 2022 New York Exhibition morning glory poster), which depicts the meaning of the shape seen in the semantic space created by reversible light, structures the meaning of the image that hides the desires of the other in time as a shade of reversible light, meaning an abstract space that can be reversible into a real shape, and the meaning of conceptual abstraction, that is, the image in the mirror, is a hypothetical non-real image and shows an abstract image that reveals the place of the other's unconscious desire.
The object (morning glory poster 26-2-1), which depicts the meaning of the shape seen in the meaning space created by reversible light, means the existence of the same abstract space that can reversibly form an object into a real shape by structuring the meaning of a certain desire shape in the shadow of reversible light, and shows an existential image of the concept of desire, that is, an abstract space obscured by the actual changed movement of the exhibition poster shape.
Louis, morning glory p26-2-4, a hand-painted picture on a computer, 2022
"morning glory p26-2-4", which is a desire conceptual art, is an abstract area of painting in which a specific effect occurs that reveals the conceptual image of desire as an exhibition poster. That area is an image that can momentarily see the desires of others who function gazely like a background in the landscape.
This is a crooked planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reality in the mirror (le Réel), but the shape of the background is not the same. This is because although it is an real form, the realistic form of the non-real with the structure of the same meaning as the conceptual semantic structure is abstract, but abstraction with different shapes as the same meaning is non-realistic as an ideological atypical entity with different colors and sizes.
Its existence defines an abstract space as a shape that is actually reversible and refers to the abstraction meaning of the exhibition poster of desire concept art, in which the shape is obscured by the movement that has actually changed into the shade of reversible light.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image , that is, an image that emphasizes the hidden meaning of the cartoon)
Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 5>, a hand-painted picture on a computer
Desire conceptual art abstraction, which replaced the phenomenal place of the meaning of abstraction with an exhibition poster, can distinguish the place of the shape, thus conceiving the meaning of another structural image that interprets the shape.
The shape is abstract in color and size similar to the meaning of the ideological structure to speak of a different meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally
This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured in shades.
The meaning is designed as "morning glory", which is abstracted as a symbolic language symbolizing a desire flower that imitates the other's desire "MONSTA X's "Let me be your fantasy-5".
In the abstract conceptual image "morning glory", a shape representing the desires of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstract Poster 26-2-4). The concept of desire image, which is invisible in the mechanical scheme of the perspective visual system, creates a place of shade while being hidden in reversible light, and abstracts the object of the concept of desire image as a momentary gaze different from the other's desire abstract perspective revealed in the unconscious.
In order to obtain artistry beyond generality, objects abstracted as desire conceptual art form a distorted image expressed through desire revealed in the suppressed unconsciousness of others into a design, create an object of desire conceptual image as a shade of exhibition poster formability with the desire of others as existence, and exist as meaning.
As a meaningful being, the object contains a formative value as an autonomous choice of the other's desire by revealing the object as another being by transforming the object's image into a structure of meaning into a crooked image from the other's desire perspective.
In addition, a small piece as the other's desire hidden in the background of a chicken shows a real abstract space that is reversed through a thought movement that creates an image that actually changes the shape. This is where the other's desire is abstracted and placed in a space where the object can be actually reversible in the meaning of the existence of an abstract object.
Conceptual art of realistic abstraction The realistic structure of art reflects the shape by being distorted by light. What reveals its shape are the outlines and shadows determined by the shadow of light. Realistic abstraction as treacherous conceptual art pays attention to this and embodies realistic concepts. (Choi Chul-joo conceptual art theory on realistic abstraction)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis Choi Chul-joo Choi, a morning glory outside the window, 151X178cm, acrylic and composite materials on cloth, 2022~2023
The realistic form of the desire concept cartoon "MONSTA X's "Let me be your fantasy" 5" shows a non-realistic form representing the meaning of an abstract landscape form that is hidden by the desires of others who are abstracted. The shape is the intersection with the actual structure selected by the desires of the other, created by abstract shades.
This is a non-realistic realistic structure, a shape that is momentarily abstracted at the intersection where the desire of the other is seen as a gaze, designed as a real figure of the whole and a shade of reversible light.
The image of desire is cut in order to accept the new subject as the gaze. The subject of this cut desire structure is fixed in the shape of representation. The space reflected in the mirror in the painting is another space in the physical space revealed in the shadow of one painting with reversible light, a reality that appears as an 'observation' that cannot be seen from the point of view of the entire scene of the painting. In order to reproduce the reality seen through such a gaze, the artist uses a mirror as a material in the painting.
Only the concept cartoon of desire that cannot be expressed on the same plane Structures the virtuality of abstract exhibition posters into conceptual desire, similar to the gaze image that virtually reproduces the crooked image of "MONSTA X's "Let me be your fantasy" 5", or as if representing the place of reality with cubism as a connection to the image.
Cartoon objects, the concept of desire created by the desire of the other, are concealed without being exposed as objects reflected in the mirror, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who drew the picture replaces the other.
The position revealed by staring at the image of the concept of desire in place of the other is atopia, which is the position of the subject that appeared at the vanishing point in the entire virtual image.
Therefore, it is the object, or reality, that the subject of the subject reveals as a gaze from the other's desire point of view.
Therefore, the abstraction of contemporary art pop art <morning glory p26-2-4> abstracts the concept of real and non-real images in the same space. In cubism that conceptualizes the subject, trying to reveal physical reality as a pop-art space makes the object 'look at' as a realistic reality. And realistic reality appears in a clear physical structure. Its structural physicality has several cross-sections in a three-dimensional form and captures the multifaceted conceptuality of a morphological structure with one cross-section and two sides in a conceptual painting as an object in one concept. / Writing. Modern Art Critic Choi Chul-joo (Modern Art Designer & Ph.D. in Cultural Design)
