현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [2/ 14~16] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Chul-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./

Art Design Review of Contemporary Art works [2] Abstract Artist Louis Choi Chuljoo Treacherous Conceptual Art Abstract Painting <Morning glory> Art Review & Conceptual Art Pop Art Abstract Painting Design / Contemporary art examples of Abstraction Review : Desire Contemporary Art Abstract Painter Louis Choi Chul-joo Pop Art Abstract Art Works & Art Reviews / 추상화 디자인 abstraction design: 한국화가 추상 디자인 Abstract Design of Korean Painter: 개념미술 한국화 추상 디자인1/ 개념미술 의미 구조의 한국화 추상 디자인한 팝아트 현대미술 작품 <나팔꽃 추상화 p48-4> 루이 최철주 뉴욕 전시 포스터100 이미지로 한 한국화 추상 디자인1 = 유명 현대 개념 미술가, 현대미술 작가, 현대 추상미술 한국화가 작품 / 추상 화가 그림 최철주 개인전: 2022 루이 최철주 뉴욕 전시 나팔꽃 추상화48 유명한 현대 미술가 작품 현대 화가 추상 화가 루이 최철주 / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design/ 현대 개념미술 한국화 추상화 작품<morning glory p48-4> 디자인평론

Design review: the New York Contemporary Art Exhibition of "Morning glory" abstract painting(Poster): an exhibition of the desires of others seen by a chick as an infant." a contemporary art work that applies artist Louis Chul-joo Choi's Lacan art theory. 20220301~20220308 Flushing Town Hall, New York.

현대미술 팝아트 한국화 추상화 작품: 루이 최철주 뉴욕 전시 나팔꽃 포스터 p48-4

현대미술 디자이너 최철주는 현대미술을 그의 욕망 공식을 통해서 추상화를 디자인한다.

최철주의 욕망 공식은 I/I(이미지)와 D/d(디자인)를 기호로 사용하여 디자인 이미지의 개수와 사건 및 공연 이미지를 연결하여 다항식의 욕망 이미지를 생성하는 곱셈 공식이다. 기호로서의 이미지의 언어적 의미는 욕망의 추상적 개념을 식별하고자 하는 욕망 개념의 이미지(I/i)이다.

추상화가로서 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다. 이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 사실적 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.

최철주의 욕망의 개념 공식은 최철주의 욕망 개념에서 욕망의 개념에서 논리의 공리로서의 수학적 욕망은 추상적 디자인 통한 언어적 의미의 외형적 구조에 기반하기보다는 구체적인 현상으로 현실화된다. 따라서 창밖 욕망의 교차점에서 현실과의 추상적 만남으로 드러나는 욕망 구조의 렌더링은 수학적 욕망 개념 추상 설계, 즉 욕망 개념의 이미지를 최철주 욕망 공식에 적용하며, 2022년 3월 1일 플러싱 타운홀(뉴욕/ the Flushing Town Hall) 전시회에서는 나팔꽃이 가역적인 빛의 음영으로서 욕망의 주체로서 평면적 실제 이미지로 나타난다.

Louis Chul-joo Choi, morning glory 2022-j, 87X114cm, acrylic and composite materials on cloth, 2022/ 현대미술 팝아트 한국화 추상화 디자인: 루이 최철주 뉴욕 2022 전시 포스터100 이미지로 한 추상화 개념적 의미 구조로서 형상 이미지를 기호화한 오브제 라캉적 추상화 디자인

현대미술 팝아트 한국화 추상화 디자인: 루이 최철주 뉴욕 2022 전시 포스터100 이미지를 오브제로 디자인한 욕망의 오브제<morning glory 2022-j>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로 디자인한 배면이 비춰지는 교직된 천의 형태에 그리진 욕망개념 이미지다. 그 이미지의 형상은 뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터 추상화 100점 중에서 <morning glory poster-48>를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 이미지를 기호화하여서 연쇄한 현대 개념미술을 한국화 추상화<morning glory p48-2> 디자인했다.

Chul-joo Choi, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>, a hand-painted picture on a computer

Chul-joo Choi, <morning glory 2022-j & BLACKPINK-2>, a hand-painted picture on a compute

가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 뉴욕 전시 포스터-48)는 병아리가 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>을 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 벨라스케스가 타자의 무의식적 욕망에서 드러낸 환상적 이미지 벨라스케스의 시녀들(Las Meninas)의 순간적 왜곡된 상 오브제ɑ를 말한다.

현대 미술평론가 & 개념미술가 최철주의 현대 개념 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.

미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.

반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.

여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)

현대미술 팝아트 한국화 추상화 작품: 루이 최철주 뉴욕 전시 나팔꽃 포스터 p48-4

최철주의 라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory 2022-J>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>를 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>의 현상적 자리를 정하여 <morning glory 포스터48>로 보인다. 이것은 루이 최철주 뉴욕 전시에서의 라캉적 개념미술로 디자인한 포스터가 라캉적 오브제를 실제화한 추상화<morning glory 포스터48-4>임을 말한다.

현대미술 디자이너 루이 최철주, 라캉의 미술이론을 스토리보드로 한 뉴욕 2022 전시 포스터 <나팔꽃> 100점을 각각의 이미지로 형상화한 페인팅 디자인/ Painting designer, Louis Choi Chul-joo (Doctor of Modern Painter & Culture Design), a Lacan designer, designs the image of the painting by shaping Lacan's art theory as a storyboard.

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 카툰 만평 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 카툰 만평 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a precarious conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, abstraction is drawn through reversible light shading that interprets others' abstract desires as cartoon review images. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Contemporary Art Pop Art Korean Painting Abstract Painting Design Art work: Louis Choi Chul-joo's 2022. New York Exhibition Morning glory Poster p48-0-2

Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.

One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.

The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.

■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire,

mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

현대미술 팝아트 한국화 추상화 작품: 루이 최철주 뉴욕 전시 나팔꽃 포스터 p48-3

사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

따라서 배반적 개념미술로 한 사실적 추상화는 일상의 사건에서 사실적 구조를 왜곡하는 빛의 음영으로 형상을 빛의 음영으로 그 형성을 확정하여서 사실적 개념을 추상화한다.

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

형상은 현실적인 구조의 개념을 추상화하고 가역적인 빛의 음영에 의해 그 형상을 결정하지만, 전체 형상이 가려짐에 따라 형상은 모노톤으로 요약된다.

A shape abstracts the concept of a realistic structure and determines its shape by a reversible shade of light, but as the entire shape is obscured, the shape is summed up in monotone.

현대미술 팝아트 한국화 추상화 작품: 루이 최철주 뉴욕 전시 나팔꽃 포스터 p48-4

라캉의 오브제ɑ<루이 최철주 뉴욕 전시 나팔꽃 p48-4>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로서의 오브제ɑ다.

회화로서 오브제ɑ<morning glory 2022-j>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제ɑ를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지 벨라스케스의 시녀들(Las Meninas)의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.

여기서의 오브제ɑ에서 출현한 예술성은 타자의 욕망적 관점에서 왜상적 이미지<BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 4>로 오브제의 이미지를 의미의 구조로 변형<나팔꽃 포스터 48> 함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 오브제ɑ<나팔꽃 p48-4> 가 창조성과 타자의 욕망의 자율성으로 한 예술적 의미를 담고 있다.

그리고 회화적으로 육화된 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각<morning glory 2022-j>는 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간<나팔꽃 p48-4> 을 보인다.

이것은 추상적 오브제의 의미를 가리키며, 그 오브제는 실제 가역할 수 있는 추상 공간을 말하며 형상의 실제가 추상된 타자의 욕망을 팝아트 한국화 추상화로 가려지는 추상적 풍경 형상의 의미를 비실재의 사실적 형상으로 추상한다./ 글. 디자인평론가 최철주 (한국 화가 & 문화디자인박사)

Louis Choi Chul-joo, a contemporary art designer

------------------------------------------------------------

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi Chul-joo art work 14

현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [14] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Abstract contemporary art that designed modern art abstract painting [23] Abstract painter Louis Choi Chuljoo Abstract art work: Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [42] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Cartoon review of the concept [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review / The artwork posted on Facebook = 현대미술가 루이 최철주 배반적 개념미술로 한 실재적 추상화 작품:

Louis Choi chuljoo's Abstract painting <morning glory outside the window 2024-2-light & Shadow> 카툰을 욕망 개념으로 한 사실적 추상화 디자인 평론

Louis Chul-joo Choi, morning glory window 2024-2-Shadow, 357X225cm, acrylic and composite materials on cloth, 2024

Choi Chul-joo's comic abstraction as a treacherous conceptual art means the abstraction of the conceptual image of desire as a realistic structure in art. Since the conceptual meaning of desire that exists in place of a realistic form can be divided into a cartoon criticism image, abstraction is drawn through reversible contrast that interprets the image of events and performances as an image of others' abstract desires.

Choi Chul joo cartoon review, which uses contemporary art abstraction as a treacherous conceptual art, reinterprets the image of desire as a concept of cartoon.

Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024

The object "morning glory window 2024-light", which describes the meaning of the shape seen in the semantic space created by reversible light, is an abstraction drawn as a conceptual work of " Image Installation Performance", in which the image that conceals the desires of others in time is structured as a reversible shade of light. The meaning of abstraction of desire, that is, the image of desire reflected in the mirror, is a hypothetical non-realistic image of cartoon criticism, and contemporary artist Louis Choi Chul-joo describes the place of the other's unconscious desire with artistic movement in "morning glory", the background of the desire structure.

Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024

Famous oi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer, 2024

Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29)

/Reporter Choi Chul-joo’s Cartoon Review

. The special feeling of the body and mind is “Twice”

. Le sentiment spécial du corps et de l’esprit est « Twice »

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 193-The special feeling of the body and mind, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest g193-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-7-1-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p110-7-1-The special feeling of the body and mind is “Twice”> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 193, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g193, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p110-7, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024

Louis Choi Chul-joo's "morning glory window 2024-2-shadow" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.

Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024

<morning glory window 2024-2-shadow> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-2-shadow> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.

The object <morning glory window 2024-2-shadow>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-2-shadow> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 2024-2-shadow> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 2024-2-shadow>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024: Image installation overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image as the concept of desire as a structure of desire in a realistic structure.

Louis Choi Chul-joo's <morning glory window 2024-2-shadow> absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

In visual culture as contemporary art, the fragmented image installation of urban images overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image into the concept of desire as a structure of desire in a realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Louis Chul-joo Choi, morning glory window 2024-2-Shadow (Part), 357X225cm, acrylic and composite materials on cloth, 2024

<morning glory window 2024-2-Shadow>는 나팔꽃의 실재를 의미하는 욕망적 배경 이미지를 가역적 빛의 음영으로 생성된 <morning glory window 2024-2-Shadow>의 중앙 부분 이미지다. 이것은 카툰 만평의 사건 이미지를 개념으로 욕망 개념을 사실적 추상화의 방법론으로 제시하는 최철주의 현대 추상미술 운동이다.

Louis Choi Chuljoo, morning glory window p-110

<morning glory window> 시리즈는 부산(해운대구청 갤러리)에서 한국 화가 & 추상화가 루이 최철주 <나팔꽃 윈도우>개인전 관련 현대미술 추상화 작품으로 한 포스터 <morning glory window p-110>을 제작하여서 이것을 욕망적 의미 구조로서 이미지를 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화 <morning glory outside the window 2024-2-light & Shadow> 다. 그리고 그 추상화를 순간적인 응시로 보이는 욕망 이미지로 구성하는 <morning glory window p-110>을 통한 욕망 개념 이미지를 가역적 빛의 음영으로 구조를 연쇄한 추상화 <morning glory window 2024-2-Shadow>를 출현한다.

<morning glory window 2024-2-light>는 나팔꽃의 실재를 의미하는 욕망적 배경 이미지를 가역적 빛의 음영으로 생성된 <morning glory window 2024-2-light>의 오른쪽 절반 이미지다. 이것은 카툰 만평의 사건 이미지를 개념으로 욕망 개념을 사실적 추상화의 방법론으로 제시하는 최철주의 현대 추상미술 운동이다.

Louis Choi chuljoo's Abstract design painting: <morning glory window 2024-2-light>

사실적 비실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제 < morning glory outside the window 2024-2-light>는 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 욕망적 추상의 의미 즉 거울속의 비쳐진 욕망 이미지는 카툰 만평의 가상적인 비실재 이미지로서 타자의 무의식적 욕망의 자리를 <morning glory>에서 현대미술가 루이 최철주의 아트 무브먼트로 한 "이미지 설치 퍼포먼스 " 작품으로 그려낸 추상화다.

Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024 / Louis Choi chuljoo's Art movement Abstract painting "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 202401

그 추상화 위에 욕망 개념을 현대미술로 한 사실적 추상화의 방법론을 제시하는 최철주의 현대 미술 운동을을 부산(해운대구청 갤러리)에서 그 추상화를 또 다른 욕망 이미지로 구성하는 "Painting Installation Performance"를 통한 욕망 개념의 추상화를 생성하고자 카툰 이미지로 한 순간적인 욕망 개념이 응시로 보이는 특정효과가 발생하는 회화의 추상적 영역이다. 이것 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지 <morning glory window 2024-1-back> 다.

이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 형상의 추상적 존재로서 비실재하는 사실적 이미지이기 때문이다.

그 존재는 욕망 개념에 적용한 개념미술의 사실적 추상화로서 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 사실적 형상의로 한 개념 미술의 추상화 의미를 말한다.

Louis Chul-joo Choi, morning glory window 2024-2-Shadow, 357X225cm, acrylic and composite materials on cloth, 2024

욕망 개념 이미지로서 오브제 <morning glory window 2024-2-Shadow>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로 보이는오브제다. 이것은 사건과 공연 이미지를 욕망 개념으로 한 사실적 추상화다.

추상화로서 <morning glory window>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지로서 드라마, 재난, 폭동, 전쟁 그리고 공연의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.

그 추상화는 타인의 욕망의 그림자 이미지를 감추고 싶은 욕망의 개념을 사건과 공연 이미지를 반복하며 가역적 빛의 시간성과 중첩되는 욕망의 이미지를 수집한다.

그리고 나팔꽃을 욕망의 배경으로 춤을 추는 사람이 욕망을 가리고 공연 이미지속에 가역적인 시간 민감성을 부여하여 타인의 욕망이 되고, 빛의 이미지가 겹치지 않도록 현상적인 위치를 설정하는 추상 효과가 있다. 그 추상적 효과는 시간적 빛을 흡수해 이미지 표면의 상징적 표상을 제거하여서 사실적 욕망의 이미지를 만들어 내고 가역적인 빛의 그림자 속에 있는 욕망의 개념 이미지를 감춘다.,

이것은 욕망 개념의 배경에 반영된 무용수가 구름과 같은 비현실적인 하늘의 표면을 형상화하듯이 순간적으로 존재하는 가역적인 빛의 그림자 속에서 작은 간격을 두고 욕망 개념의 이미지가 전개되는 인상적인 추상화이다.

추상화는 현대미술 시각문화에서 도시에 대한 추상적 개념 이미지의 파편으로 현실적 구조 속 욕망의 구조로 디자인되어서 추상화된다.

Contemporary Art Designer Louis Choi Chuljoo

------------------------------------------------------------

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi Chul-joo art work 15

현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [15] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [46] Contemporary Art Sketch Abstract Painting: Let me be your fantasy in the window of desire newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review & Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory-Let me be your fantasy >

Louis Chul-joo Choi, morning glory window 2024-6-gaze, 154X112cm, acrylic and composite materials on cloth, 2024

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Louis Choi Chul-joo, morning glory-Let me be your fantasy, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. MONSTA X <FANTASIA-Let me be your fantasy> Online Live (local time 26th)

. MONSTA X <FANTASIA> Online Live (heure locale 26th)

■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.

= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 108-Let me be your fantasy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b108-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p114-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 108, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b108, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-3-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis, Chul-joo Choi, morning glory p113-2-Jeongcho and Mona Lisaa, hand-painted picture on a computer / Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Chul-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-9-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-8-2-MORE & MORE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Choi Chul-joo, morning glory p114, a hand-painted picture on a computer, 2023

Image installation performance

The installation of the desire image is to reveal a significant painting image in the mind through an error in the subjective abstract image of an object that does not exist by realizing the representation of a linguistic object.

The concept of verbal desire is imitated as a picture, and the representation recognized as desire is expressed as a real image. In other words, expressing verbal desire as a picture image embodies desire as a real picture image with an objective correlation object such as T. S. Elliott.

Louis Choi chuljoo, morning glory-Let me be your fantasy [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Online Live._ En direct en ligne.

The concept of desire design ■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.

------------------------------------------------------------

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi Chul-joo art work 16

현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [16] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Contemporary Artist Choi Chul-joo｜Contemporary Art Today Choi Chul-joo Contemporary Art Criticism [2] Contemporary Artwork Criticism, Contemporary Abstract Art Criticism, Contemporary Art Desire Concepts Abstract Artwork Criticism & Contemporary Art Design Criticism: 나팔꽃 윈도우 2024-6-시선 & Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Manwha Review [22] JTBC drama 'the world of husband and wife', TV ratings as high as empathy for the extramarital affairs of married men. (2020-04-04) / Reporter Choi Chul-joo’s Cartoon Review

Louis Chul-joo Choi, morning glory window 2024-7-the gaze, 222X218cm, acrylic and composite materials on cloth, 2024

나팔꽃 윈도우 2024-6-시선

추상적 관점에서 회화의 관점은 추상적 공간 개념을 현상적 이미지 속의 부분적 표상으로 바라본다.

여기서 "나팔꽃 창"의 시선은 현실을 넘어 추상적 공간에 현상적 이미지로서의 개념적 대상을 병치시킴으로써 실제적 이미지를 유도하고자 한다.

여기서 '나팔꽃 창'의 시선은 현실을 넘어선 추상적 공간에 하나의 주체로서 현상적 이미지로 병치하여 현실을 유도하고자 한다.
추상화는 현실과 추상화를 욕망의 이미지로 통합시켜 현실적 대상으로서의 욕망의 추상화를 현실과 동일한 범위의 시선으로 제한한다.
이는 현실과 추상을 동일한 이미지의 대상으로 연결하는 관점이다.

시선은 실제로 주체로서 움직이지않는(immobile) 대상을 추상적 이동성(porfability)과 응시로 그려냄으로써 동일시한다. 즉 현실의 대상은 시선의 추상적 이동성과 함께 대상과 동일한 형태로 원근적 추상의 대상으로 전이된다. 여기서의 대상은 주체를 대표하는 대상의 존재를 지칭하는 것이지 다다의 레디메이드(readymade)처럼 다른 개념의 대상은 아니다. 이는 욕망의 개념으로 추상화된 실재의 이미지이다. 그 이미지는 언어적 무의식에서 이미지로 합성하는 초현실주의 개념과 유사하지만 <나팔꽃>의 오브제와 동일한 이미지로서 실재이다.

<나팔꽃 윈도우 2024-6-시선>에서 나팔꽃은 욕망의 지위를 취득하는 오브제다.

현실과 욕망의 개념으로 구성되며, 보는 사람을 그림 이미지로 하는 욕망의 개념은 언어적 의존성을 따른다. 즉, 현실과 욕망의 개념의 관계로서 언어적 욕망의 개념 의존성에 의해 이미지가 결정된다.
이는 타의적 욕구를 이미지화하여 타의적 추상성으로 언어적 개념을 지닌 현실적 대상이다.

<나팔꽃> 욕망의 무의식적 오브제는 천위에 가역적 빛의 음영으로 실재를 현상하여서 실재와 추상의 경계를 소거한다. 즉 현상적 욕망 이미지를 시간성으로 실재 이미지로 지각한다.

추상적 욕망 관점으로 인식되는 시선은 빛을 욕망구조로 보는 평면적 구조의 추상화와 현실을 부분 평면으로 하는 욕망 관점의 추상화를 응시하게 한다. 그 이미지는 언어적 욕망 개념에서 추상화된 실체로서의 욕망 개념을 추상화한 것으로 현실의 부분적 이미지인 "나팔꽃 창 2024-6-그 시선"을 평면적 부분의 실재 이미지를 의미하도록 하는 추상화이다. 이는 최철주의 욕망 공식에서 적용되는 욕망 예술 개념의 추상화 과정이다.

그 상상적 욕망(imaginary desire) 구조는 욕망의 시선으로 추상 공간을 만들고 비실재의 추상을 평면 구조한 실재와 동일시하여서 실재는 선 구조를 확장하여서 그 실재를 이미지로 전도된다. 그 실재애서 순간적으로 일어나는 욕망 개념을 실재 이미지로서 응시하는 생각을 추상의 상태로 한정한다.

따라서 <나팔꽃창 2024-6-시선>은 욕망 개념으로 실재와 추상의 동의 없이 동일한 이미지로 수용한다.

이렇게 욕망 개념을 실재 이미지로 표출하고 그 개념을 추상과 동일시하는 이율배반적(antinomical) 미적 구조로 조형한다. 즉 실재 이미지로서 욕망 개념을 추상화하는 최철주의 욕망 개념 추상화는 실재와 추상이 서로 양립할 수 없는 개념을 실재 이미지로 동일함으로서 이율배반적 추상으로 개념된다.

이것은 언어적 욕망 개념을 이율배반적인 개념과 실재를 병치 구조로 한 응시로서 하나의 이미지로 보인다.

여기서 하나의 개념을 말하는 대상을 그 개념의 실재 이미지로 추상화하는 최철주의 욕망 개념 추상미술은 이율배반적 개념으로서 실재 이미지의 추상화를 말한다.

추상화로 고정된 자리는 무의식 욕망에서 출현한 실재가 분열된 추상의 주체에 병치하려고 나팔꽃 디자인을 연쇄한다.

그 나팔꽃은 실재가 분열하여서 추상을 비유하는 것이 아니라 하나의 실재 이미지가 욕망 개념으로 대치되면서 원래의 실재이미지가 추상화되어서 응시하는 자에게 추상 개념으로 병치된 실재로 보인다.

여기서 뒤집을 수 있는 빛의 그늘이 만들어내는 "나팔꽃"은 이미지로서의 공간을 공유한다. 의자와 겹쳐진 또 다른 설치 이미지는 오브제이다. 욕망의 화보적 설치 이미지가 비재현적 이미지라고 가정하면, 현실을 추상적으로 재현한 가상 여명홀 체육관 이미지 전체에 현실이 실제 이미지로 존재한다.

욕망의 대상은 특히 형이상학적 구조에서 부피와 그림자를 제거함으로써 물리적 구조를 선명하게 드러낸다. 이는 눈에 보이지 않는 '시선'으로서의 대상에 대한 분석으로 시각적 표상의 형태를 서로 다른 관점에서 인지적 표상의 형태로 본다.

피카소의 그림에 나타난 변칙적 이미지로서의 대상은 최철주의 욕망 개념의 대상처럼 보이는 비뚤어진 이미지이다. 이는 욕망의 대상으로서 그림의 비실재적 시각 이미지의 차원을 넘어선다. 그 이미지는 선으로부터 드러나는 형태로 다면체 위의 빛의 그림자 속에서 생성되는 이미지이다. 그것은 순간적인 시점에서 구성된 것으로서 시간성과 존재성을 지닌다. 평면이든 입체이든 상관없이 시선 영역의 욕망 구성 체계 속에서 타인의 욕망에 의해 생성되는 이미지이기 때문이다.
광선에 의해 타자의 욕망이 통합된 빛의 음영 영상을 선택하여 하나의 광원 시점에 형성되는 투시 밀도와 감각이 없다. 여기서 객체는 추상적 콜라주와 같은 부분 영상이 동시에 시선에 의해 드러나는 형태로 공간에 존재하는 것을 말한다.

그러나 형상은 의미 있게 보이지 않고 순간적으로 가역적인 여러 그림자를 영상의 배경으로 맴돈다. 이는 구름, 비, 눈이 나타나는 것처럼 시간성의 위치, 즉 하늘의 상이 한 순간에 빛의 고정된 자극으로 나타나는 상이다. 이는 시간성의 통로로 이루어진 무한하고 연속적인 시선으로 빛을 바라보는 대상의 실존적 위치이다.
이것은 구체가 공존하는 추상적 현상이 존재하는 가역적 시각구조이다. 작가가 그림을 그릴 때 이미지에 대한 의미적 욕망 인식을 획득하는 이미지에 대한 시간적 욕망의 구조이다.

욕망의 시선으로 바라본 대상은 구체가 공존하는 추상적 실재 이미지로 존재하는 가역적 시각구조이다. 작가가 그림을 그릴 때 이미지에 대한 의미적 욕망 인식을 획득하는 이미지에 대한 시간적 욕망의 구조이다.

따라서 시각적 가역반응은 나팔꽃의 시각적 가역반응과 그 자리에 따른 순간의 실제 구조가 욕망의 시선을 가진 예술가에 의해 다양한 색으로 중첩되어 검게 변하거나 빛을 가리는 이미지 구조이다.

구조물의 이미지는 타인의 욕망에 대한 이미지가 만들어내는 욕망의 풍경으로, 일상의 그림자 형상이 지난 시간의 '나팔꽃'과 교차하는 순간에 위치할 때의 시선으로 응시된다.

이 장식된 형상의 빛과 대비되는 어두운 여백 공간은 욕망의 시선이 머무는 풍경 속에서 생성된 그림자이다. 여기서 실제 대상적 존재로서 색채는 시선으로 응시하는 정제된 관습의 단상 이미지이다.
시선의 가시적 이미지는 모방된 꽃을 의미하는 상징적 언어이며, 이미지 설치미술 '나팔꽃'은 욕망의 의미의 결과로 비현실적인 공간에서 상징화된 타인의 시선을 은폐하는 숨겨진 미적 구조이다. 그리고 욕망 개념의 의미로 사물의 조각으로 응시한다.

욕망 개념적 관점에서 바라본 시각문화로서 구체적 효과가 발생하는 시선영역은 풍경 속에서 시선을 사로잡는 기능을 하는 타인의 욕망을 순간적으로 볼 수 있는 이미지이다. 그 이미지로서 '나팔꽃'은 최철주의 욕망의 공식에서 현실에 없는 것을 인식하고 적용하는 시각적 아이디어이다. 그 아이디어는 무의식과 언어를 동일한 형태로 묘사한 실제 이미지이다.
여기서 보여주는 '나팔꽃'은 욕망의 시선을 통해 한 가지 색으로 납작해진 대상을 바라보는 구조이다. 이는 가역적인 빛에 의해 전달되는 조각 구조의 평탄성으로 나팔꽃의 이미지는 추상적으로 일치하는 것으로 보인다. 그리고 나팔꽃은 반사되는 현실과 동일하지만 배경의 형태는 현실과 동일하지 않다.

욕망화의 시도로서 <나팔꽃>은 하나의 나팔꽃 줄기를 빛으로 지움으로써 욕망의 의미에 대한 구체적인 시선 효과로 타인의 욕망이 발생하는 억압된 미적 공간 중 하나로 그림 속 대상의 존재가 그 의미를 환원하는 기괴한 시선 패턴을 의미한다.
이는 회화를 통해 욕망의 영역을 응시하는 이미지에 따른 실재감과 비실재성의 예술적 의미이다. 대상을 재현하는 가시적 이미지, 즉 대상을 실제 대상으로 표현하는 회화적 이미지를 비실재성으로서의 이미지로 파악하였다. 이에 대상에서 실재감을 응시하는 방법은 욕망의 대상과 유사한 비뚤어진 이미지로 타인의 욕망을 드러내는 것이다. 즉 언어적 무의식에서 깨어나 동시대적인 타인의 욕망을 시선 이미지로 그려냄으로써 추상화의 시각적 의미를 보여준다.

시각적 추상화의 의미는 모방된 꽃을 상징하는 상징적인 가시적 언어적 이미지이다. 여기서 나팔꽃의 이미지는 욕망의 언어적 의미의 결과로 비현실적인 공간에 있는 것으로 상징되며, 은폐된 미적 구조의 의미로서 추상적 언어 구조의 파편이다.
따라서 <나팔꽃>은 언어적 추상성 속에 그려진 실제 그림으로, 비실재적 그림의 위치는 직물의 작은 구멍에 반사된 빛을 지닌 욕망의 이미지로 확장된다. 그 이미지의 형식의 의미는 나팔꽃이 직면한 전통적 보편성의 현실을 가역적인 빛의 색을 지닌 실제 그림의 공간으로 꾸미려는 욕망을 추상화한다.

그리고 그 욕망의 의미가 추상으로 고정되는 무의식적 욕망에서 실재가 분열하고 그 욕망의 주체가 실재 이미지가 추상 개념을 대리하여서 실재로서 추상화는 사실적 이미지와의 어긋난 만남을 이룬다. /글. 미술평론가 최철주 (전 서울시립미술관 큐레이터 & 문화디자인박사)

Louis Chul-joo Choi, morning glory window 2024-7-the gaze, 222X218cm, acrylic and composite materials on cloth, 2024

Choi Chul-joo, a contemporary art designer, designs contemporary art abstractions through his desire formula.

Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire.

As an abstract artist, Choi Chul-joo's contemporary conceptual art is an abstract art that abstracts the concept of real formability and reversible shadow of light as unrealistic beings according to the desires of others. This is an abstraction of the other's desire to replace the real place, that is, the other's desire to represent the real place.

Morning glory window 2024- 6-the gaze

From an abstract point of view, the perspective of painting looks at the abstract concept of space as a partial representation in the phenomenal image.

Here, the gaze of the "Morning glory window" attempts to induce a real image by juxtaposing a conceptual object as a phenomenal image in an abstract space beyond reality.

Here, the gaze of the 'morning glory window' attempts to induce reality by juxtaposing it as a phenomenal image as a subject in an abstract space beyond reality.

Abstraction integrates reality and abstraction into images of desire, limiting the abstraction of desire as a realistic object to the same range of gaze as reality.

This is a perspective that connects reality and abstraction to the object of the same image.

The gaze identifies the object that is actually immobile as the subject by drawing it as abstract mobility and staring. In other words, the object of reality is transferred to the object of perspective abstraction in the same form as the object as the abstract mobility of the gaze.

The object here refers to the existence of an object representing the subject, but it is not an object of a different concept like Dada's Readymade. This is an image of reality that is abstracted as a concept of desire.

The image is similar to the concept of surrealism that synthesizes from the linguistic unconscious into an image, but it is real as the same image as the object of "morning glory".

In <morning glory window 2024-6-the gaze>, morning glory is an object that acquires the status of desire.

It consists of the concept of reality and desire, and the concept of desire with the viewer as a picture image follows linguistic dependence. In other words, as the relationship between reality and the concept of desire, the image is determined by the dependence of the concept of linguistic desire.

This is a realistic object with a linguistic concept as involuntary abstraction, imaging the desires of others.

The gaze, perceived as an abstract desire perspective, makes us stare at the abstraction of a flat structure that sees light as a desire structure and the abstraction of a desire perspective that uses reality as a partial plane. An image is an abstraction of the concept of desire as an abstracted entity from the concept of verbal desire, and an abstraction that makes the partial image of reality, "morning glory window 2024-6-the gaze," meaning a real image in a flat part. This is the process of abstracting the concept of desire art applied in Choi Chul-joo's desire formula.

The imaginary desire structure creates an abstract space with the gaze of desire and equates the abstraction of non-real with a flat structure, so the reality expands the linear structure and converts the reality into an image.

The idea of staring at the concept of desire that occurs momentarily in reality as a real image is limited to a state of abstraction.

Therefore, <morning glory window 2024-6-the gaze> is a concept of desire and is accepted as the same image without the consent of reality and abstraction.

In this way, the concept of desire is expressed as a real image, and the concept is embodied as an antinomical aesthetic structure that identifies with abstraction. In other words, Choi Chul-joo's abstraction of the concept of desire, which abstracts the concept of desire into a real image, is conceptualized as an antinomical abstraction by identifying a concept in which reality and abstract are incompatible with each other as a real image.

This is seen as an image as a gaze that juxtaposes the concept of linguistic desire with an antinomical concept and reality.

Here, Choi Chul-joo's antinomical concept of desire, which abstracts an object that refers to a concept into a real image of the concept, refers to the abstraction of a real image that is desire.

As a contradictory abstraction, abstraction, which is a linguistic concept of desire with desire as the subject, is a new abstraction <morning glory window 2024-6-the gaze> of contemporary art that develops abstract objects into real images with Choi Chul-joo's concept of desire abstract art movement.

The position fixed by abstraction repeats the morning glory design, juxtaposing the reality from unconscious desire as the subject of divided abstraction.

The morning glory does not compare abstractions because reality is divided, but as one reality is replaced by the concept of desire, the original reality is abstracted and seems to be juxtaposed with the abstract concept to the viewer.

Here, "morning glory", created by a reversible shade of light, shares its space as an image. Another installation image overlapping with chairs is an object. Assuming that the pictorial installation image of desire is a non-reproducive image, reality exists as a real image in the entire virtual Yeomyeong Hall Gym image that abstractly reproduces reality.

The object of desire clearly reveals the physical structure, especially by eliminating volume and shadow from the morphological structure. This is an analysis of an object as an invisible 'gaze', and the form of visual representation is viewed as the form of cognitive representation from different points of view.

The object as an anamorphosis image in Picasso's painting is a crooked image that looks like an object of Choi Chul-joo's concept of desire. This is an object of desire and goes beyond the dimension of the non-realistic visual image of painting.

The image is an image created in the shadow of light on a multi-faceted object in a form revealed from the line. It has temporality and existence as composed at the instantaneous point of time. This is because it is an image created by the desire of others in a system of composition of desires in a gaze area regardless of whether it is flat or stereoscopic.

There is no perspective density and sense formed at a single light source point of view by choosing a shaded image of light in which the desires of the other are integrated by light lines. Here, the object refers to that partial images, such as abstract collage, exist in space in the form of being revealed by gaze at the same time.

However, the shape hovers in the background of the image with several shades that are instantly reversible without being seen as meaningful. This is an image in which the position of temporality, that is, the image of the sky, appears as a fixed stimulus of light at one moment in time, just as clouds, rain, and snow appear. This is the existential position of the object that the light is viewed through an infinite and continuous gaze made up of the passage of temporality.

It is a reversible visual structure in which abstract phenomena in which spheres coexist exist. It is a structure of temporal desire for the image that obtains semantic desire recognition of the image when the artist paints.

The object viewed through the gaze of desire is a reversible visual structure that exists as an abstract real image in which spheres coexist. It is a structure of temporal desire for an image that acquires a semantic desire perception for an image when the artist draws a picture.

Therefore, the visual reversible reaction is an image structure in which the visual reversible reaction of morning glory and the actual structure of the moment according to its place are overlapped with various colors by an artist with the gaze of desire, turning black or obscuring light.

The image of the structure is a landscape of desire created by the image of the desire of others, and it is seen as a gaze when the shadowy shape of everyday life is located at the moment of intersection with the 'morning glory' of the past time.

The dark blank space contrasting with the light of this decorated shape is a shadow created in the landscape where the gaze of desire stays. Here, as a real object being, color is a single-phase image of a refined custom stared at with the gaze.

The visible image of the gaze is a symbolic language that means an imitated flower, and the image installation art ' morning glory' is a hidden aesthetic structure that conceals the gaze of others symbolized in an unrealistic space as a result of the meaning of desire. And it is stared at as a piece of an object as the meaning of the concept of desire.

Desire As a visual culture viewed from the conceptual point of view, the gaze area in which a concrete effect occurs is an image that can momentarily see the desires of others who function to capture the attention in the landscape. As that image, "morning glory" is a visual idea that recognizes and applies what is not in reality in Choi Cheol-joo's formula of desire. The idea is a real image that depicts the unconscious and language in the same form.

The "morning glory" shown here is a structure that sees an object flattened in one color through the gaze of desire. This is the flatness of the sculptural structure transmitted by reversible light, and the image of morning glory seems to be abstractly consistent. And morning glory is the same as the reflected reality, but the shape of the background is not the same as the reality.

As an attempt at desire painting, <morning glory> refers to a bizarre gaze pattern in which the existence of an object in the painting returns the meaning of the painting to one of the repressed aesthetic spaces in which the desire of others is generated as a concrete gaze effect of the meaning of desire by erasing one morning glory stem with light.

This is the artistic meaning of reality and non-realism according to the image of staring at the realm of desire through painting. The visible image that reproduces the object, that is, the pictorial image that expresses the object as a real object, was grasped as an image as a non-realistic. Therefore, the method of staring for finding reality in an object is to reveal the desires of others with a crooked image similar to the object of desire. In other words, it shows the visual meaning of abstraction by waking up from the verbal unconscious and drawing the desires of contemporary others as a gaze image.

The meaning of visual abstraction is a symbolic visible linguistic image symbolizing an imitated flower. Here, the image of the morning glory is symbolized as being in an unrealistic space as a result of the linguistic meaning of desire, and it is a fragment of the abstract language structure as the meaning of the concealed aesthetic structure.

Therefore, "morning glory" is a real painting drawn in linguistic abstraction, and the position of a non-realistic painting extends to an image of desire with light reflected in a small hole in the fabric. The formal meaning of the image abstracts the desire to decorate the reality of traditional universality faced by morning glory into a space of real paintings with reversible light colors.

And in the unconscious desire in which the meaning of the desire is fixed in abstraction, reality divides, and the subject of the desire represents the abstract concept, so abstraction as reality forms a conflict with the realistic image. / Writing. Art critic Choi Chul-joo (Doctor of Cultural Design)

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, the world of husband and wife 11, a hand-painted picture on a computer, 2020

Louis Chul-joo Choi, the world of husband and wife 11, a hand-painted picture on a computer, 2024

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [22] JTBC drama 'the world of husband and wife' (Kim Hee-ae and Park Hae-joon), TV ratings as high as empathy for the extramarital affairs of married men. (2020-04-04) / Reporter Choi Chul-joo’s Cartoon Review

. JTBC drama 'the world of husband and wife' (Kim Hee-ae and Park Hae-joon),

TV ratings as high as empathy for the extramarital affairs of married men

. JTBC drame - le monde du mari et de la femme (Kim Hee-ae et Park Hae-joon),

Des cotes d'écoute de la télévision aussi élevées que l'empathie pour les affaires extra-conjugales des hommes mariés

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 161-the world of husband and wife-pond, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest d161-the world of husband and wife-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p115-1-the world of husband and wife: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p115-1-the world of husband and wife> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 161, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d161, a hand-painted picture on a computer

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

Louis Choi chuljoo, the world of husband and wife 11 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's A line News of Manwha Review [22] JTBC drama 'the world of husband and wife' (Kim Hee-ae and Park Hae-joon), TV ratings as high as empathy for the extramarital affairs of married men. (2020-04-04) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formula: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶TV ratings._ audience de la télévisio

저작자표시 비영리 변경금지

'현대미술 디자이너 최철주' 카테고리의 다른 글

현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [5/ 23~24] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Con (3)	2024.12.17
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [4/ 20~22] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Con (4)	2024.12.14
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [1/ 11~13] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Con (3)	2024.12.11
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [27] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contempor (2)	2024.12.08
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [26] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contempor (1)	2024.11.23

최철주 평론 - 미술평론과 만화뉴스 newsmanwha

현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [2/ 14~16] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Con

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi

'현대미술 디자이너 최철주' 카테고리의 다른 글

티스토리툴바

현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [2/ 14~16] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Con

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi

Contemporary art designer Louis Choi

'현대미술 디자이너 최철주' 카테고리의 다른 글

관련글

티스토리툴바