About the artistic sensibility of Hong-Sanghyeon Photographic(2)
 Photo : Remaining space and time by Hong-Sanghyun Remaining space and time The general structure of grief is the present space. This is a space of grief over time. The painting of the space is structured as a subjective grief, but the architecture of the light is generally the norm. Thus, the general structure is the space last time. There is only a trace of the boy there. However, artistic sensibility in photographic is an objective structure.
Faced with the space of the boy who consumed his sadness, the boy's space shows no sorrow. Space can not establish its time, although the general structure repeats itself. The photo was constructed with recognition of the time and created a structure with light perception. Only a photo of the surplus structure is seen as a general structure of sadness. Thus, the photo demonstrates the artistic sensibility and shows the reversible times of the structure in reality. And the scope of the light that produces artificial reality has been cut off. This is because the photo can not distort the space like a painting using subjective colors. Space remains, but the structure is the image of time. Its transformation also creates space and time. When the picture recognizes the time, it finds traces of the space in the general structure. Only photo is a reflection of emotions in general structures. The painting went beyond the general structure of the copy and went to the abstract structure.
Nevertheless, Hongsanghyeon tries to generalize the abstract structure of sorrow.
This reveals poetic language through the empathy of the structure. So, as an abstract language, photo can structure sadness, a finished language is a photo of the film works.
 Writing. Chul-joo Choi( Photo reviewer, Doctor of Design)
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