Choi Chul-joo's Art Review
IKRYEOL LEE 20th solo exhibition The Story of the Systems
9th NOV-15th NOV 2017 Opening 5:00 pm 9th NOV K&P Gallery New York
The Story of the Systems
The structure of the painting is a system that tells the difference between a sensible form of detail.
This is an image of the whole(systema) and order(ordnung) which has been repeated in ancient Greece as an image.
Thus, the system in the picture is a set of structural relationships of the image, but the overall shape of the moulded order according to the established principle.
A separate form of the picture in the system is a subsystem that forms a picture to form a structure.
This has an organized social area, consisting of the structure of a painting system, equating to the organisation.
The structure left behind last era is a city.
This leaves a form in architectural structure.
This is a space in the background of that era, which forms a separate space in the system.
A city built like this, reveals the phenomenon of a city in architecture, but it is artificial as a picture.
Therefore, Lee Ik-ryeol wants to talk about a system of painting.
This starts with a meeting of structures in order to form a form of order.
He visits the system of painting in a city like a computer.
Lee Ik-ryeol orchestrates the structure of urban architecture by painting the structure of the city's complex structure as a painting system.
To convey the city image in the form of a structure, he paints the city's landscape of architecture in order to gain access to an art structure.
This is a system that is interlocked to architecture structures as relational paintings.
In this exhibition, Lee Ik-ryeol tries to draw up a system of architecture in the city.
This is painting system where the structure of a painting system forms a structure and forms a city.
The invisible urban system is represented as a an iconic image of visible architecture in the sturucture of painting system.
However, the painting disappears with the actual sturucture, the city is stuck with the impression of an iconic image.
In other words, the images of an impressive city translate into architectural imagery as animpressive manifestation of his desire
He remains in the category of realism and conventional impressions that show the stage of light and shade.
Therefore, he is influenced by urban impressions as the subject of the relationship to the relationship of the painting system.
This is not the object of painting, but the object of painting as urban impressions.
Thus, he can paint the impressive urban impressions of the present when he goes over the conventional impression of the past.
The system refers to the structure of the impression of the image of the buildings equating the city's impressions of the urban impressions.
He refers to a painting of a pictorial system in line with the notion that it transcends a symbolic structure beyond a conventional image of a conventional impression.
And his impression paint a structured building around the city's reality.
Writing. Choi Chul-joo
Writing. Doctor of Design, Choi Chul-joo's Art Reviewer
